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Jazz Articles about Markus Reuter

9
Multiple Reviews

Markus Reuter Times Three: Oculus, Shapeshifters & Sun Trance

Read "Markus Reuter Times Three: Oculus, Shapeshifters & Sun Trance" reviewed by Mark Sullivan


Markus Reuter wears many hats: touch guitarist; composer; improviser; soundscaper; and producer. This trio of simultaneous MoonJune Records releases (one technically a reissue) offer an opportunity to sample his music in all of those aspects. Markus Reuter Oculus Nothing is Sacred MoonJune Records 2020 “Oculus" is the name Reuter gave to the unique pitch diagrams used in composing this music: each grid presents 16 musical pitches, arrayed in a form that resembles ...

4
Album Review

Markus Reuter: The Truce

Read "The Truce" reviewed by Chris M. Slawecki


Markus Reuter's first steps into music were as a pianist. But then Reuter learned to play the Chapman Stick, studied in Robert Fripp's Guitar Craft, and mastered the digital U8 Touch Guitar. The freedom of these electronic sound palettes, combined with his genuine guitar virtuosity and piano background, all give Reuter's guitar playing structure and vision that are truly amazing. Reuter is also a linchpin of the experimental trio Stick Men (along with Chapman Stick master Tony Levin) and served ...

10
Album Review

Gary Husband & Markus Reuter: Music Of Our Times

Read "Music Of Our Times" reviewed by Dan McClenaghan


A tour of Japan was canceled. Some lag time ensued. So Leonardo Pavkovic—el jefe at MoonJune Records—set up some studio time for multi-instrumentalist (pianist here) Gary Husband and guitarist Markus Reuter. The result is Music Of Our Times. The set is spontaneously-composed. It is tranquil, moody and atmospheric. The first impression of the opening seconds of “Colour Of Sorrow," the opening tune, is that this was recorded in a cistern, a la Pauline Oliveros, or a cathedral. The ...

8
Album Review

Gary Husband & Markus Reuter: Music Of Our Times

Read "Music Of Our Times" reviewed by Mark Sullivan


Rarely has an album title been so perfectly descriptive. In March, 2020 the Stick Men with special guest Gary Husband had just begun a Japan and China tour. But it was cancelled by the pandemic after one show at the Blue Note in Nagoya. Thinking quickly, Husband and Stick Men touch guitarist Markus Reuter booked time in a Tokyo studio before their flights home, and recorded these spontaneous improvised duets. Husband takes the lead, playing an especially resonant ...

7
Album Review

Markus Reuter: Truce

Read "Truce" reviewed by Mark Sullivan


German touch-guitarist Markus Reuter has been heard in a variety of contexts: with Stick Men, providing bass, lead and soundscaping as on Panamerica (MoonJune Records, 2019); and with guitarist Mark Wingfield on The Stone House (MoonJune Records, 2017) and Lighthouse (MoonJune Records, 2017). His eight-string touch guitar covers both bass and guitar ranges, often making it difficult to differentiate his parts from the other group members. No such confusion here: for its historic 100th release, MuneJune Records features ...

85
Album Review

Markus Reuter featuring Sonar and Tobias Reber: Falling for Ascension

Read "Falling for Ascension" reviewed by Glenn Astarita


Billed as a minimalist groove band, the Swiss musicians performing under the moniker Sonar recently collaborated with experimental guitar hero David Torn on the widely heralded, Sonar with David Torn (Rare Noise, 2018). And here, they merge their unique craft with one of the reigning touch style guitar pioneers, Markus Reuter along with his partner from Stick Men and active King Crimson member, Tony Levin (Chapman Stick) and Security Project, ex-King Crimson WARR guitarist Trey Gunn. Here, Reuter and live ...

285
Album Review

Tim Motzer / Markus Reuter: Descending

Read "Descending" reviewed by Sid Smith


Sometimes, with albums built from file-shared overdubs, the sum of the parts can be greater than the whole. Happily the reverse is very much the case with this engaging collaboration between guitarists Tim Motzer and Markus Reuter. The core of this elegantly dreamy music was recorded at a concert given by the duo in 2008, with guest contributions added over the following couple of years. As a result, the original improvisations have been weathered and abraded with ...


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