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Jazz Articles about Markus Reuter
Mata Atlantica: Retiro e Ritmo
by Mark Sullivan
Retiro e Ritmo is a love letter to Mata Atlântica, the coastal rain forest of Brazil, and a call to help preserve and protect this beautiful habitat. The music supports that goal not by quoting or referencing Brazilian music directly, but by building a complex musical ecosystem that evokes it, obliquely creating a sense of place. The album is the brainchild of co-producer Mathias Derer, motivated by a 2017 Brazilian visit. Although he does not perform, he composed ...
Continue ReadingMarkus Reuter
by Lawrence Peryer
Markus Reuter is a music producer, composer, performer, and creative educator with international credentials and a vast discography. Reuter's work as a recording artist, solo performer, and collaborator spans (and frequently fuses) electrophonic loop music, contemporary classical music, progressive and art rock, industrial music, world jazz, jazz fusion, pop songs, and pure improvisation. Over the course of a two-decade career, he has been a member of multiple bands, ensembles, and projects (including Stick Men, Tuner, The Crimson ProjeKct, ...
Continue ReadingMata Atlantica: Retiro e Ritmo
by John Ephland
The coastal rainforest of Brazil, otherwise known as Mata Atlantica, and “its beauty and vivacity" are the inspiration for Retiro e Ritmo. It is an album frontloaded with a varied cast of characters from hither and yon. Maybe that casting is behind a project seeking to draw worldwide attention to the ongoing shit-storm that includes not only the Amazon but the whole planet. Retiro e Ritmo is deceptive, calling attention to a source of worldwide calamity all the ...
Continue ReadingStick Men: Tentacles
by Dan McClenaghan
In the early 1960s, before every teenage rock band wanted to be the Beatles, many of them (especially in Southern California) wanted to be the Chantays (1963's “Pipeline"), The Surfaris' ("Wipeout" and “Point Panic," both from 1963) or Dick Dale and the Deltones ("Miserlou," 1962). Those days were the short-lived peak of surf rock, and it was big. All of those mentioned tunes hit the pop record charts, something that became rare for instrumental music thereafter. For some, these succinct, ...
Continue ReadingStephan Thelen: Fractal Guitar 2 - Remixes
by Mark Sullivan
Guitarist & composer Stephan Thelen's experimental guitar-fest Fractal Guitar (MoonJune Records, 2019) was followed by Fractal Guitar Remixes And Extra Tracks (MoonJune Records, 2019), a substantially fresh look at the material, as well as an expansion. For the sequel Fractal Guitar 2 (Moonjune Records, 2021) Thelen produced an even more radical approach to contemporary guitar-driven music. The remixes are also a step beyond. To start with, the album could just as well have been titled “Point Of Inflection ...
Continue ReadingJ. Peter Schwalm & Markus Reuter: Aufbruch
by Mark Sullivan
German electro-acoustic composer J. Peter Schwalm is probably best known for collaborating with Brian Eno on Drawn From Life (Opal, 2001) and other projects. More recently, he created How We Fall (RareNoise, 2018) and Neuzeit (RareNoise, 2020), the latter a collaboration with Norwegian trumpeter Arve Henriksen. Touch guitarist and composer Markus Reuter has been prolific, recent releases including Truce (MoonJune Records, 2020), Nothing Is Sacred (MoonJune Records, 2020) and Shapeshifters (MoonJune Records, 2020), as well as Music Of Our Times ...
Continue ReadingJ. Peter Schwalm & Markus Reuter: Aufbruch
by Doug Collette
The first recorded collaboration between J. Peter Schwalm and Markus Reuter, Aufbruch, is one of those very rare and unusual albums that unobtrusively, almost surreptitiously, wends its way into the subconscious. It compels repeated and often frequent replays, not so much to comprehend the arcane sounds, but to simply become immersed in the moods and textures the two men generate. Synths, pianos, live treatments, programming and electronic percussion from the former interweave with the Touch Guitars, soundscapes and ...
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