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Jazz Articles about Mark Sanders
Frisque Concordance: Distinct Machinery
by John Eyles
The group Frisque Concordance began back in October 1992 when the quartet—comprising UK saxophonist John Butcher and the Germans pianist Georg Graewe, double bassist Hans Schneider and drummer Martin Blume—was recorded live at the Ruhr Jazz Festival in Bochum, Germany. The results were released in 1993 as Spellings, the first album on Graewe's Random Acoustics label. Although Butcher and Graewe recorded one album as a duo, Light's View (Nuscope, 1999), Spellings represented the entire Frisque Concordance ...
Continue ReadingAlexander Hawkins: Togetherness Music (For Sixteen Musicians)
by Giuseppe Segala
Con questo lavoro, Alexander Hawkins aggiunge una tessera significativa al proprio originale percorso artistico, qui in particolare nella dialettica tra improvvisazione e musica scritta, dimostrando una maturazione consapevole e in costante sviluppo. Attento, curioso, audace, guidato da un sicuro istinto e da lucidità progettuale, il pianista di Oxford rappresenta la punta di diamante della propria generazione, quella sulla soglia dei quarant'anni. Il suo itinerario e la sua personalità sono in grado di confrontarsi e interagire efficacemente con i grandi protagonisti ...
Continue ReadingAlexander Hawkins Feat. Evan Parker + Riot Ensemble: Togetherness Music (For Sixteen Musicians)
by Mark Corroto
It is obvious from the outset that this is a significant recording. Evan Parker launches into his trademark soprano saxophone circular breathing, setting the stage for things to come. An exemplar of all things free improvisation, his virtuosity never fails to amaze. Although Parker is the marquee soloist here, the composer and organizer of this session, Alexander Hawkins, created the six movements of this suite to pioneer an intersection between free improvisation and contemporary chamber music. Certainly not an easy ...
Continue ReadingRachel Musson: I Went This Way
by Mike Jurkovic
Let's agree that, by a consensus of one, Debbie Sanders recital of saxophonist Rachel Musson's thought-through and through-read play-by- metaphoric-play/lecture on improvisation gets annoying as all hell so quickly that one may find oneself searching madly for a bonus instrumental version. But the music on saxophonist Musson's I Went This Way is an ambitious, teasingly ambiguous album, all shift, riddle, and hijinks. And that's a really good thing because it takes a lot for anyone to be so sure of ...
Continue ReadingShifa: Live in Oslo
by Mike Jurkovic
A spectrum of subversive, seemingly sinister ambitions erupt upon entering the very vigorous other-world proposed on Live In Oslo, a true mind-meld of London's free-jazz highest order, led by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders known collectively as Shifa. Recorded at Oslo's Blow Out Festival in August 2019, the trio finds no trouble breaking space to its atomic bits and telling time to take a holiday, setting apace a restless, anxious investigation into the ...
Continue ReadingVicente / Brice / Sanders: Unnavigable Tributaries
by John Sharpe
One of the UK's premier rhythm sections meeting with the adventurous Portuguese trumpeter Luis Vicente results in some classy unfettered mischief on Unnavigable Tributaries. Bassist Olie Brice and drummer Mark Sanders indulge in the masterful interplay that has buoyed up the likes of the Riverloam Trio with Polish saxophonist Mikolaj Trzaska and their trinity with ICP stalwart saxophonist Tobias Delius. Vicente exhibits the same canny command he has shown in dates such as Points (Multikulti Project, 2019),Chamber 4 (FMR, 2015) ...
Continue ReadingJohn Butcher / Mark Sanders: Daylight
by Raul d'Gama Rose
There is a visceral energy that drives the music on Daylight and all of this has to do with the wonderful musicality of saxophonist John Butcher and drummer Mark Sanders. From the sense of moist breath that courses through Butcher's horn--as interspersed with breathy growls, guttural smears and sensational squeaks and wails, depending on the emotional prompts of the improvised score--to the primordial echo of Sanders' drums, the music turns a whole palette of colors and hues as it unfolds ...
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