Home » Jazz Articles » Mark Sanders
Jazz Articles about Mark Sanders
Gabriele Mitelli / John Edwards / Mark Sanders: Three Tsuru Origami
by Mark Corroto
Birds of a feather, as they say, flock together. Proof positive is the trio of Italian trumpeter Gabriele Mitelli (who also doubles on soprano saxophone and electronics), and the Englishmen, bassist John Edwards and drummer Mark Sanders. Three Tsuru Origami (tsuru is the Japanese word for crane) continues the avian theme with the bulk of the material dedicated to our feathered friends. Sanders and Edwards are familiar names in free jazz and improvisation circles, being the first call ...
Continue ReadingJohn Butcher / Dominic Lash / John Russell / Mark Sanders: Discernment
by John Sharpe
As part of his 40th birthday celebration at Cafe Oto in January 2020, bassist Dominic Lash convened a quartet of some of the UK's finest improvisers, completed by guitarist John Russell, saxophonist John Butcher and drummer Mark Sanders. With such experienced practitioners, there are any number of prior connections which help ensure a successful and empathetic outing. Russell, who died in January 2021, was one of the so-called second generation of British improvisers, often working closely with Butcher ...
Continue ReadingPaul Dunmall & Mark Sanders: Unity
by John Sharpe
In spite of a decades long association, Unity constitutes only the second time British reed icon Paul Dunmall has appeared on disc in tandem with drummer Mark Sanders. And on the earlier occasion, Pipe And Drum (FMR, 2012), Dunmall restricted himself entirely to bagpipes of various species, so this outing is notable as the first documentation of the pair together on their primary instruments. The union of two of the country's premier improvisers doesn't disappoint. Dunmall increasingly wears ...
Continue ReadingFrisque Concordance: Distinct Machinery
by John Eyles
The group Frisque Concordance began back in October 1992 when the quartet—comprising UK saxophonist John Butcher and the Germans pianist Georg Graewe, double bassist Hans Schneider and drummer Martin Blume—was recorded live at the Ruhr Jazz Festival in Bochum, Germany. The results were released in 1993 as Spellings, the first album on Graewe's Random Acoustics label. Although Butcher and Graewe recorded one album as a duo, Light's View (Nuscope, 1999), Spellings represented the entire Frisque Concordance ...
Continue ReadingAlexander Hawkins: Togetherness Music (For Sixteen Musicians)
by Giuseppe Segala
Con questo lavoro, Alexander Hawkins aggiunge una tessera significativa al proprio originale percorso artistico, qui in particolare nella dialettica tra improvvisazione e musica scritta, dimostrando una maturazione consapevole e in costante sviluppo. Attento, curioso, audace, guidato da un sicuro istinto e da lucidità progettuale, il pianista di Oxford rappresenta la punta di diamante della propria generazione, quella sulla soglia dei quarant'anni. Il suo itinerario e la sua personalità sono in grado di confrontarsi e interagire efficacemente con i grandi protagonisti ...
Continue ReadingAlexander Hawkins Feat. Evan Parker + Riot Ensemble: Togetherness Music (For Sixteen Musicians)
by Mark Corroto
It is obvious from the outset that this is a significant recording. Evan Parker launches into his trademark soprano saxophone circular breathing, setting the stage for things to come. An exemplar of all things free improvisation, his virtuosity never fails to amaze. Although Parker is the marquee soloist here, the composer and organizer of this session, Alexander Hawkins, created the six movements of this suite to pioneer an intersection between free improvisation and contemporary chamber music. Certainly not an easy ...
Continue ReadingRachel Musson: I Went This Way
by Mike Jurkovic
Let's agree that, by a consensus of one, Debbie Sanders recital of saxophonist Rachel Musson's thought-through and through-read play-by- metaphoric-play/lecture on improvisation gets annoying as all hell so quickly that one may find oneself searching madly for a bonus instrumental version. But the music on saxophonist Musson's I Went This Way is an ambitious, teasingly ambiguous album, all shift, riddle, and hijinks. And that's a really good thing because it takes a lot for anyone to be so sure of ...
Continue Reading
