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Gabriele Mitelli Three Tsuru Origami: Colapesce
by Mark Corroto
The second release from Gabriele Mitelli's Three Tsuru Origami ensemble shifts from the literal to the symbolic, expanding both in concept and personnel. Their debut, Three Tsuru Origami (We Insist!, 2022), was a meditation on birds and migration. This follow-up, Colapesce, draws inspiration from the 12th-century Sicilian legend of a half-man, half-fish who sacrifices himself to save his island. The tale, a fixture of Mediterranean folklore, resurfaced in pop culture through the 1964 film The Incredible Mr. Limpet, in which ...
Continue Reading...Larry Stabbins & Mark Sanders: Cup & Ring
by John Sharpe
Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language of free jazz--a realm both musicians know intimately. Stabbins, returning to performance after a lengthy hiatus, brings a layered backstory to this ...
Continue Reading...Sergio Armaroli Quintet: Follow A Very Heavy Person
by Mark Corroto
Time, as a concept, transforms into an endless playground in the hands of Sergio Armaroli. In Follow A Very Heavy Person, the quintet expands upon the foundations laid in Introducing A Very Heavy Person, delving deeper into the sonic and philosophical dimensions of John Cage and Kenneth Patchen's 1942 experimental radio play, The City Wears A Slouch Hat. Emerging from the same recording session, this second volume extends and reinvents its predecessor's exploration of simultaneity, improvisation and the ephemeral nature ...
Continue Reading...Sergio Armaroli: Introducing A Very Heavy Person, First Visit
by Mark Corroto
If you reject the assumption that time is linear, the ability to conceive of a time machine is simple. Assume for this discussion that the concepts of past, present, and future are a false dichotomy. In other words, the past and the future simultaneously occur with the present. Composer and percussionist Sergio Armaroli accepts this premise and his quintet accomplishes a rather time-less travel through twelve tracks. Let's back up a bit. In his career, Armaroli has been ...
Continue Reading...Olie Brice / Rachel Musson / Mark Sanders: Immense Blue
by John Sharpe
Even given today's abundance of new issues in whatever genre, there are still bands which travel beneath the radar. One such is the trio of established UK improvisers comprising bassist Olie Brice, saxophonist Rachel Musson and drummer Mark Sanders which releases Immense Blue as its debut album. As a unit it has been around for a while, but the connections go deeper still. Brice and Musson have a duet nearing fifteen years old, while the saxophonist and drummer are two ...
Continue Reading...Christoph Gallio, Dominic Lash, Mark Sanders: Live at Café Oto London
by John Eyles
Swiss saxophonist Christoph Gallio has been playing with the trio DAY & TAXI for over three decades during which time he has been the only ever-present member, and the trio has released twelve albums. Early in July 2022, Gallio arrived in London at the beginning of a six-month sabbatical stay at the London Atelier of the Kanton Aargau. This was not a new experience as he had previously stayed in the Berlin Atelier, in 2009, and in the Buenos Aires ...
Continue Reading...The Flame: Towards The Flame Vol 1
by Mike Jurkovic
Three of Europe's most acclimated and proven improvisers--pianist Robert Mitchell (Steve Coleman, Greg Osby), bassist Neil Charles, and drummer/percussionist Mark Sanders (Jah Wobble, Rachel Musson)--band together as The Flame for the first time and emerge from pandemic isolation, and the forever wars and broken civics that accompanied it, with a hypnotic performance captured absolutely live on Towrads the Flame. Recorded at London's Cafe Otto in February of 2022, The Flame comes to life like most screams do: with ...
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