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Jazz Articles about Mark Ferber
Megumi Yonezawa: Resonance
by Neri Pollastri
La pianista giapponese Megumi Yonezawa, da tempo residente a New York e collaboratrice stabile di Greg Osby, esce per Sunnyside con il secondo album a proprio nome, un piano trio nel quale mescola brani di propria composizione, alcuni standard e un'improvvisazione totale.La cifra del lavoro è quella di un modern jazz estremamente ricco di articolazioni e sofisticato nel fraseggio, che si fa con frequenza dialogo a tre grazie l'impianto paritetico della formazione. Se infatti la tastiera della leader ...
Continue ReadingDavid Borgo: Pathika
by Dan McClenaghan
San Diego's David Borgo, a top-tier jazz saxophonist and an ethnomusicologist with a professorship day job at the University of California at San Diego, says, “Ethnomusicology is like the anthropology of music." He puts this concept into practice with his teaching for the “Semester At Sea." This educational cruise program takes students to various ports worldwide to expose them to perspective-broadening travel and first-hand experience with different cultures. The students benefit; the teachers do, too. Borgo, ...
Continue ReadingJustin Kauflin Trio: Live at Sam First
by Jim Worsley
New world modernization meets old world ideals at Sam First jazz club in Los Angeles. In just a few short years Sam First has built a solid reputation with both jazz artists and aficionados. Among its many qualities are the acoustics. In 2019, Peter Erskine, George Garzone, Alan Pasqua, and Darek Oles recorded their brilliant 3 Nights in L.A. at Sam First. At that point it was clear they had something special going on at Sam First. Starting up Sam ...
Continue ReadingMarc Copland Quartet: Someday
by Dan McClenaghan
Marc Copland is a former saxophonist who found his instrument artistically confining for the purposes of expressing his vision. So he called on his childhood piano training (synaptic memories intact) to make the switch to the keyboard. The results have been magic. His artistry with the 88s is second only to the late Bill Evans, and an argument for his surpassing of Evans could be made. His discography boasts more than forty albums as a leader, beginning in 1988 with ...
Continue ReadingJohn Yao: Off-Kilter
by Mark Corroto
In all great ensemble recordings one pays no attention to the compositions and arrangements. The music just seems to dance without inhibitions and flow over the ears. Correction: excellent ensemble performances compel one to recognize and appreciate the compositions and arrangements. With composer, arranger, trombonist John Yao both statements are true and both are in opposition to each other. Proof being Off-Kilter, the second release by his Triceratops ensemble. It follows How We Do (See Tao Recordings, 2019) and includes ...
Continue ReadingJustin Morell: Exit Music For Intelligent Life on Earth
by Dan McClenaghan
Guitarist Justin Morell thinks big. His concept for writing the compositions for All Without Words: Variations Inspired By Loren (Tiger Turn, 2021), from the John Daversa Jazz Orchestra Featuring Justin Morell, came to being via his experiences in raising his autistic son. Now, his Exit Music For Intelligent Life On Earth explores the challenges concerning climate change and a potential search for a new home for humankind. Science fiction novels contain a subgenre called speculative fiction. Exit Music ...
Continue ReadingMark Masters: Masters & Baron Meet Blanton & Webster
by Jack Bowers
It is an absolute pleasure to hear several of Duke Ellington & Billy Strayhorn's classic charts for Ellington's celebrated 1940-42 Blanton-Webster orchestra (named for a pair of its stars, bassist Jimmy Blanton and tenor saxophonist Ben Webster) adeptly rescored for a twenty-first century ensemble by the superlative arranger Mark Masters. And to ice the cake, the Masters ensemble welcomes to its ranks Art Baron, the last trombonist hired by Ellington, who anchored the plunger chair from 1973 until Ellington's death ...
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