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Jazz Articles about Marcus Strickland

Album Review

Jean-Paul Bourelly: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Vic Albani


Doppio CD o doppio vinile prodotto in HI-Res e con packaging di lusso dalla Jammin'colorS, agenzia per artisti jazz, world, funk, alternativi, hip-hop, electro e sperimentali nonché etichetta indipendente. Il lavoro che ha pubblicato in tanta pompa magna è un ampio collage di musica nera realizzato da 25 musicisti africani, caraibici e afroamericani guidati dalla visione creativa di Stefany Calembert (compagna del bassista jazz Reggie Washington) e produttrice estemporanea dell'etichetta belga. A tutti è stato chiesto di comporre ...

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Album Review

Christian McBride: Prime

Read "Prime" reviewed by Cary Tenenbaum


Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...

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Liner Notes

Jimmy Greene: Gifts and Givers

Read "Jimmy Greene: Gifts and Givers" reviewed by C. Andrew Hovan


The two-tenor battle is not a new idea, with iconic pairings from the jazz pantheon running the gamut from Dexter Gordon and Wardell Gray to Eddie “Lockjaw" Davis and Johnny Griffin. In more recent times, Eric Alexander and Grant Stewart have fueled the fire with their own incendiary adventures as heard on the current albums Wailin' (Criss 1258) and Cookin' (Criss 1283). As with any healthy blowing session, the idea is to keep each player on his toes while pushing ...

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Album Review

Christian McBride's New Jawn: Prime

Read "Prime" reviewed by Mike Jurkovic


"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland blow wild and loud over drummer Nasheet Waits' tumbling manifesto and McBride's deep-rooted thrumbling, to summon forth the ancestors (Ornette Coleman for starters) to jam ...

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Album Review

Various Artists: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Glenn Astarita


Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie Washington, they righteously bestow Black Music as a “source of moral truth and potent weapon against racism." Numerous stars such as saxophonist ...

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Album Review

Marcus Strickland's Twi-Life: Nihil Novi

Read "Nihil Novi" reviewed by Dan Bilawsky


When you wipe away all of the minutiae and technical matters involved with the recording process, there are really only two schools of thought on the subject: You either aim to capture what's literally there or you choose to produce something that's not. Everything else is semantics and dealing with variants, mixtures, and/or a balance between the two. Those who aim to strictly capture are trying to bottle true-to-life sound, and those who produce prefer to use those sounds as ...

Album Review

Marcus Strickland: Triumph of the Heavy

Read "Triumph of the Heavy" reviewed by AAJ Italy Staff


Strickland è cresciuto molto nella statura da leader, qui proposta attraverso un duplice percorso che dalla sala di incisione porta al palco. Le composizioni proposte in Triumph of the Heavy costituiscono una stimolante riflessione sullo stato dell'arte del jazz contemporaneo. Oltre ad una invidiabile dose di intensità e coinvolgimento chiaramente percepibili nelle 17 tracce, Strickland si cimenta con personalità da vendere al sax tenore, alto, soprano e clarinetto. Soprattutto la parte live del progetto rivela un'intesa profonda con i compagni ...


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