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Jazz Articles about Marcus Miller

209
Album Review

Marcus Miller: A Night in Monte-Carlo

Read "A Night in Monte-Carlo" reviewed by Woodrow Wilkins


He's the man in the porkpie hat. Bassist, composer, arranger and producer Marcus Miller matches classical with jazz on A Night in Monte-Carlo, featuring L'Orchestre Philharmonique De Monte-Carlo. Miller, a two-time Grammy Award-winner, has a diverse and vast discography as a leader, producer and sideman. Among his numerous credits are work with Miles Davis, Luther Vandross, Donald Fagen, Dizzy Gillespie, David Sanborn, Bob James and Al Jarreau. The strings warm up the set, recorded during the ...

949
Interview

Marcus Miller: The Man of Many Hats

Read "Marcus Miller: The Man of Many Hats" reviewed by R.J. DeLuke


Pictures of Marcus Miller often show him wearing what is almost a trademark porkpie hat. Truth is, the extraordinary musician wears many hats, some of them simultaneously.He's proven himself a master of the electric bass in any setting from jazz to pop to funk to R&B, always with a rich, soulful sound. He's also a stellar producer and arranger, having been involved in a variety of projects for stars and megastars including Miles Davis, Luther Vandross, Roberta Flack, ...

1
Album Review

Marcus Miller: Free

Read "Free" reviewed by AAJ Italy Staff


Marcus Miller riporta prepotentemente il focus sullo strumento che lo ha fatto diventare famoso alla corte di re Miles Davis. Era il lontano 1981 e il suono del basso elettrico di Marcus era uno degli ingredienti più interessanti che segnarono il ritorno sulle scene del trombettista, dopo cinque anni abbondanti di esilio auto-imposto. Fu un legame che durò nel tempo e progressivamente Marcus Miller diventò una sorta di alter ego di Miles, almeno a livello produttivo, e la loro partnership ...

279
Album Review

Miller/Petrucciani/Lagrene/White/Garrett: Dreyfus Night in Paris

Read "Dreyfus Night in Paris" reviewed by AAJ Staff


Nearly a decade after its concert appearance in Paris, this all-star quintet has finally made it onto record. The Dreyfus Night, first convened in Paris in 1993, was in its second reincarnation, and the highlight of five gluttonous hours of music was a star-studded band pulled together by label head Francis Dreyfus. The much-hyped group included three Miles Davis alumni alongside guitarist Bireli Lagrene and pianist Michel Petrucciani.

As one might expect from the fusioneering cast, the performance ...

315
Album Review

Miller/Petrucciani/Lagr: Dreyfus Night in Paris

Read "Dreyfus Night in Paris" reviewed by Eric J. Iannelli


Dubbed “a 'Massey Hall' for the modern era"—is 1953 really such ancient history?— Dreyfus Night in Paris is actually a performance that took place nearly ten years ago and is only just seeing its release. The “Massey Hall" assertion is debatable given that the musicians here, though excellent, don't exactly match the calibre of Bird (aka Charlie Chan), Diz, Bud Powell, Mingus and Max Roach, but there can be no doubt that the set is impressive, full of solid playing ...

180
Album Review

Marcus Miller: The Ozell Tapes

Read "The Ozell Tapes" reviewed by C. Michael Bailey


Marcus Miller is the Paul Chambers of the electric bass. His recordings possess the same bass- leadership as Mr. PC, reflecting the spirit in the title of one of Chambers’ 1950s Blue Note releases, Bass on Top. Miller mixes a potent brew of originals and modern jazz classics to produce a sumptuously funky meal of what is certainly not smooth jazz. To my conservative ears, Miller simply picked up where he left off with Miles on Tutu. He is most ...

400
Album Review

Marcus Miller: M2 (M-Squared)

Read "M2 (M-Squared)" reviewed by Dave Hughes


For well over two decades, Marcus Miller has firmly established himself on the jazz/funk recording scene as funk bassist extraordinare and producer for the likes of Miles Davis, David Sanborn, and Chaka Khan. He’s also proficient on a wide variety of instruments, including bass clarinet, keyboards, saxophones, and vibraphone, and is a competent composer to boot. He’s been so in demand as a producer and performer for other people that he has recorded under his own name only sporadically.

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