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Jazz Articles about Marcin Wasilewski
Marcin Wasilewski Trio: En Attendant

by Chris May
The Marcin Wasilewski Trio's seventh ECM album traverses material by such disparate composers as J.S. Bach, Carla Bley and The Doors and brings it all together in a seamless package which also includes three spontaneously created group improvisations. It is a beauty. Pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz have been playing together for almost thirty years, first as the Simple Acoustic Trio, then as three-quarters of trumpeter Tomasz Stańko's Quartet, then under Wasilewski's ...
Continue ReadingWasilewski Trio with Joe Lovano and Thumbscrew interpret Braxton

by Bob Osborne
This week we feature the beautiful new album from the Marcin Wasilewski Trio with Joe Lovano, cutting edge improvisation with Cooper-Moore & Stephen Gauci and No Horns, Thumbscrew interpreting the compositions of Anthony Braxton, and, new sounds from Anteloper and Michael Sarian. Also further investigation of the back catalogue of Felice Clemente, something old and something new from Michael Formanek, and a closer from Louis Sclavis, Craig Taborn and Tom Rainey. Playlist Marcin Wasilewski Trio with Joe Lovano ...
Continue ReadingMarcin Wasilewski Trio, Joe Lovano: Arctic Riff

by Thomas Fletcher
The Marcin Wasilewski Trio is amongst the most evident and high-profile jazz groups that roam the Polish scene. Celebrating their twenty-fifth anniversary playing together only last year, the ensemble is widely renowned for challenging the piano trio and broadening its sound. Having collaborated with luminary wind players such as Jan Garbarek, Arthur Blythe and John Surman, the trio have now set their aspirations on performing with fellow ECM giant, Joe Lovano. Lovano made his debut with the record label back ...
Continue ReadingMarcin Wasilewski Trio & Joe Lovano: Arctic Riff

by Mike Jurkovic
Like standing before a frozen lake as it becomes a palette for the morning sun, Glimmer of Hope" ripens swiftly, deftly into an illuminating, direly-needed respite from the mourning that has besieged listeners. Ecstatically, it is just the preface to Arctic Riff's expansive beauty. As if conjured from mist, pianist Marcin Wasilewski's contented, yet curious rubato, ellipses through a few random tonalities, its sole purpose being to create an active space for his long trusted rhythm section--bassist Slawomir ...
Continue ReadingMarcin Wasilewski Trio - Joe Lovano: Arctic Riff

by Karl Ackermann
The Marcin Wasilewski Trio has been reliably consistent in their twenty-five years together. Still in their teens when they recorded their debut, Komeda (GOWI Records, 1995), the Polish triothen known as The Simple Acoustic Triocame to the attention of their country's iconic trumpeter Tomasz Stanko who signed them on to complete his quartet. They appeared together on three of Stanko's most successful ECM releases: Soul of Things (2001), Suspended Night (2003), and Lontano (2005). As a trio (under both names) ...
Continue ReadingMarcin Wasilewski Trio at Triskel Christchurch

by Ian Patterson
Marcin Wasilewski Trio Triskel Christchurch Cork Midsummer Festival Cork, Ireland June 15, 2019 What a difference a few centuries can make. In 1649 English military leader Oliver Cromwell, in what was the least of his crimes, allegedly used Christchurch to stable his soldiers' horses. He is also said to have melted the church bells to make cannons, as trumpets and saxophones hadn't been invented at that stage. In the following centuries the building ...
Continue ReadingMarcin Wasilewski Trio: Live

by Neri Pollastri
Registrato il 12 Agosto 2016 al Jazz Middelheim di Anversa di fronte a un foltissimo pubblico (circa quattromila persone), questo disco è il primo album dal vivo del trio polacco, da anni tra i principali interpreti del tipo di formazione, e ne mostra aspetti che in altri lavori erano rimasti in ombra. In primo luogo salta agli occhi l'estrema lunghezza dei sei brani in programma: solo uno è sotto gli otto minuti, uno supera addirittura i tredici, ...
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