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Jazz Articles about Marcelo Martins

8
Album Review

Antonio Adolfo: Carnaval - The Songs Were So Beautiful

Read "Carnaval - The Songs Were So Beautiful" reviewed by Pierre Giroux


Veteran pianist, composer, and arranger Antonio Adolfo has long been a master at capturing the essence of Brazilian music through a jazz perspective. On Carnaval (The Songs Were So Beautiful), Adolfo draws on a wide range of traditional Brazilian carnival styles-- sambas, marchinas, marchas-rancho, and frevos--to create a vibrant and richly textured album that bursts with celebration while leaving space for nuance and reflection. This is not a jazz adaptation of Brazilian music; it's Brazilian music elevated with jazz sophistication ...

10
Album Review

Antonio Adolfo: Carnaval - The Songs Were So Beautiful

Read "Carnaval - The Songs Were So Beautiful" reviewed by Katchie Cartwright


What prompted pianist and composer Antonio Adolfo to record, in 2025, an album of songs from the 'golden age' of Brazilian carnaval music, circa 1920-1950? He has known and loved this music since he was a child, growing up in Rio de Janeiro. “All these songs are very alive in my memory," he told All About Jazz. They were “everywhere--on the radio, in the streets, in social clubs." At the time, he saw that “there was some magic in the ...

5
Album Review

Mafalda Minnozzi: Riofonic

Read "Riofonic" reviewed by Katchie Cartwright


Singer Mafalda Minnozzi, who already had a solid recording career in Italy, went to Rio for a date in the late 1990s, stayed for a year, then decided to make it her home. Like many musical immigrants to that great city, she went to feel the salt air, to drink in the natural beauty and learn more about the sounds that had captivated her spirit. In her words, she was looking for something “that was not only what is written ...

1
Album Review

Antonio Adolfo: Love Cole Porter

Read "Love Cole Porter" reviewed by Pierre Giroux


Love Cole Porter is pianist Antonio Adolfo's masterful tribute to the genius of Cole Porter, capturing his musical essence while infusing it with a Brazilian flair. This release is not just a tribute but a careful reimagining, bringing his timeless melodies, intricate lyrics, and sophisticated harmonies into a new light. Accompanying Adolfo is a coterie of seasoned Brazilian musicians who have been on several of his releases, including guitarist Lula Galvao, bassist Jorge Helder, drummer Rafael Barata, percussionist Dada Costa, ...

5
Album Review

Antonio Adolfo: Octet And Originals

Read "Octet And Originals" reviewed by Richard J Salvucci


Some people can probably say what they were doing the first time they heard modern Brazilian music. The first wave hit in the early '60s with Vinicius de Moraes and Antonio Carlos Jobim, but there has been a great deal of water over the dam since then. Stylistic variety, regional variations, new composers, two generations of players, technical advances in both recording and instrumental technique have all played a part in establishing Brazilian as some of the most listenable music. ...

7
Album Review

Antonio Adolfo: Octet And Originals

Read "Octet And Originals" reviewed by Pierre Giroux


Antonio Adolfo is a pianist, composer, arranger and bandleader in the Latin jazz tradition, but his music is informed by Brazilian musical styles of the samba, bossa, quadrilha and toada. This latest Adolfo release entitled Octet And Originals features all his original compositions and are played by a stellar band of musicians who have been connected with him for many years. This ten track outing starts with “Heart Of Brazil," which is a tribute to the ...

6
Album Review

Antonio Adolfo: Jobim Forever

Read "Jobim Forever" reviewed by Edward Blanco


Pianist, composer, educator and arranger extraordinaire, Antonio Adolfo has been at the forefront of the samba and bossa nova genre for decades. A proponent of the music of Antonio Carlos Jobim, Adolfo pays tribute to the genre master on the splendid Jobim Forever. This homage focuses on the icon's work from the 1960s, selecting songs that are instantly recognizable as being a part of an era that put Rio de Janeiro on the jazz landscape. In addition to ...


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