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Jazz Articles about Luis Perdomo


About Luis Perdomo

1

Album Review

The Jamie Baum Septet+: What Times Are These

Read "What Times Are These" reviewed by Angelo Leonardi

by Angelo Leonardi

Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...

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15

Album Review

Jamie Baum Septet+: What Times Are These

Read "What Times Are These" reviewed by Katchie Cartwright

by Katchie Cartwright

Reading Marge Piercy's poem “To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those “who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that “the thing worth doing has a shape that satisfies, clean and evident." What Times Are These is a satisfying form of this sort. Confined to her New York apartment during the Covid-19 lockdown, Baum responded ...

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1

Radio & Podcasts

Luis Perdomo: El Arte Del Grammy

Read "Luis Perdomo: El Arte Del Grammy" reviewed by David Bixler

by David Bixler

This month we join in congratulating pianist Luis Perdomo for his recent GRAMMY award for El Arte del Bolero vol 2 in the category of best Latin jazz album. In this episode of LINER NOTES, Luis recounts the musical journey from his native Venezuela and then coming to New York initially to study before transitioning into one of the most in demand pianists on the scene, gracing the bandstand with musicians such as of Ravi Coltrane, Tom Harrell, and his ...

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28

Album Review

Joe McCarthy's New York Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Jack Bowers

by Jack Bowers

Yes, Peter Tchaikovsky's timeless Nutcracker Suite is basically holiday music; and, yes, the 2022 holiday season is squarely in everyone's rear-view mirror. Even so, there is always room for a fresh approach to the annual festive staple, which is what drummer Joe McCarthy's New York Afro Bop Alliance Big Band brings to The Pan American Nutcracker Suite. The Nutcracker has been rhythmically amended before, but never quite like this, as McCarthy and the band use the strong ...

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9

Album Review

Joe McCarthy's Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Richard J Salvucci

by Richard J Salvucci

"The Nutcracker" is a holiday staple and, as many musical and dance companies around the United States and Europe will tell you, thank Heaven for it. The musicians and performers may eventually lose their sanity from repeat performances, but the ballet is a money-maker as sure as holiday sales generate commercial profits for retailers. Besides, someone is inevitably hearing it for the first time, and children--even some adults--seem to enjoy it. This year, the season starts early with ...

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9

Album Review

Miguel Zenon: Musica De Las Americas

Read "Musica De Las Americas" reviewed by Dan McClenaghan

by Dan McClenaghan

Alto saxophonist Miguel Zenon has made a career out of exploring his Puerto Rican roots, with albums like Alma Adentro: The Puerto Rican Songbook (Marsalis Music, 2011), Tipico (Miel Music, 2017) and Yo Soy La Tradicion (Miel Music, 2018). With Musica De Las Americas he broadens his vision to celebrate the history of the American continents, north and south, as well as the multiplicity of America's Atlantic Ocean islands, to delve into the history of this expanse of lands--before and ...

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10

Album Review

Greg Germann: Tales of Time

Read "Tales of Time" reviewed by Jack Bowers

by Jack Bowers

Tales of Time is the sort of album musicians are most apt to dissect and appreciate. New York-based drummer Greg Germann uses various time signatures to subdivide eleven of his original compositions, building a strong rhythmic platform from which to launch his assorted themes. Germann supervises a quartet whose other members are tenor saxophonist Donny McCaslin, pianist Luis Perdomo and bassist Yasushi Nakamura (singer Chelsea Forgenie is front and center on the ballad “Time to Move On"). ...

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