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Miguel Zenón Quartet: Vanguardia Subterránea: Live at The Village Vanguard
by Mark Corroto
The perfect sports analogy for saxophonist and composer Miguel Zenón might just be baseball legend Roberto Clemente. Both were born in Puerto Rico, and both are revered as masters of their respective crafts. Clemente was a perennial All-Star, a World Series MVP, a Gold Glove winner and a National League batting champion. Zenón, for his part, has been honored with a Guggenheim Fellowship, a MacArthur “genius" grant and a Doris Duke Artist Award. He is frequently recognized as alto saxophonist ...
Continue ReadingMiguel Zenon: Vanguardia Subterránea: Live at The Village Vanguard
by Doug Collette
Suffused with shadows as is the cover photo of Vanguardia Subterranea, it is a perfectly appropriate match for the title of the Miguel Zenon Quartet's first live album. Released in celebration of the ensemble's 20th anniversary, both the image and the music favorably hearken to the displays of healthy improvisational jazz behind graphic designs for vintage albums on the Blue Note and Prestige labels in the 1950s and 1960s. Recorded over two nights in September of 2024 at ...
Continue ReadingJed Levy: Faces and Places
by Jack Kenny
This is a beautiful album that is fired up right from the start. The sound of the tenor is faintly reminiscent of Warne Marsh. There is no seeking after angularity. Jed Levy's way with melody is completely natural and integrated into the quintet, though there are surprises all the way through the improvisations. Jed Levy is not just a tenor player, his compositions have vivacity and a clear structure and, occasionally, an impish charm. The tuneful magic is ...
Continue ReadingBrian Lynch: 7X7BY7
by Jack Bowers
The number seven, which for reasons shrouded in mystery, has long been considered a symbol of good luck, lies at the core of trumpeter Brian Lynch's latest album, 7X7BY7, which consists of seven themes performed by seven musicians with each number clocking in at precisely six seconds past seven minutes. Furthermore, it is said, “the...process [of creating the album] was designed to facilitate the smooth reassembly of elements...into new pieces. Shaped by these attributes along with their constraints, the music ...
Continue ReadingThe Jamie Baum Septet+: What Times Are These
by Angelo Leonardi
Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...
Continue ReadingJamie Baum Septet+: What Times Are These
by Katchie Cartwright
Reading Marge Piercy's poem “To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those “who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that “the thing worth doing has a shape that satisfies, clean and evident." What Times Are These is a satisfying form of this sort. Confined to her New York apartment during the Covid-19 lockdown, Baum responded ...
Continue ReadingLuis Perdomo: El Arte Del Grammy
by David Bixler
This month we join in congratulating pianist Luis Perdomo for his recent GRAMMY award for El Arte del Bolero vol 2 in the category of best Latin jazz album. In this episode of LINER NOTES, Luis recounts the musical journey from his native Venezuela and then coming to New York initially to study before transitioning into one of the most in demand pianists on the scene, gracing the bandstand with musicians such as of Ravi Coltrane, Tom Harrell, and his ...
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