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About Louis Sclavis
Instrument: Woodwinds
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by Glenn Astarita
Iranian zarb (diagonally positioned drum)performer Kevyan Chemirani adds a worldly and exotic aspect to prominent French clarinetist, composer Louis Scalvis' band, featuring guitarist Gilles Coronado and keyboardist Benjamin Moussay who have performed with the leader on his Atlas Trio album, Sources (ECM Records, 2011). Sclavis' highly praised and disparate body of work for ECM Records is essentially unclassifiable, via his uniquely articulated jazz components, also framed on classical, free-improvisation, jazz fusion and world music persuasions. As a soloist, his resonant ...
read moreLouis Sclavis Quartet: Silk and Salt Melodies
by John Kelman
After reinventing himself with a completely revamped ensemble on Sources (ECM, 2012), reed multi-instrumentalist Louis Sclavis expands the purviews and possibilities of his Atlas Trio by adding percussionist Keyvan Chemirani to the mix for Silk and Salt Melodies. Sclavis has, in his 33-year career as a leader--and since coming to ECM Records in 1991 with the recording of Rouge (1992)--made a life's work of regular reinvention, both contextually in terms of lineup and stylistically through a broad cross-section of projects ...
read moreLouis Sclavis Quartet: Silk and Salt Melodies
by Karl Ackermann
With its ancient roots and latter-day association with New Orleans, Dixieland and swing, the clarinet isn't often a frontline instrument in modern jazz let alone avant-garde. A handful of players such as Don Byron and Marty Ehrlich have aided in its prominence but not many. In the hands of Louis Sclavis the bass clarinet is not only a deterrent against conformist thinking; it is an instrument with greatly expanded borders and characteristics. Sclavis incorporates European chamber music, Middle-Eastern samazens and ...
read morePrincipato di Monaco: i trent'anni del Festival Printemps des Arts
by Libero Farnè
Una grafica d'impronta pop-postmodern caratterizzava la copertina del catalogo del Festival Printemps des Arts: un logo dalla comunicativa perentoria e la sfrontata aggressività di colori contrastanti costituivano un'efficace traduzione visiva della sua filosofia. Nell'edizione del trentennale il direttore artistico Marc Monnet ha dato vita a un festival curioso e tentacolare, sempre alla caccia di nuove collaborazioni organizzative, di validi interpreti emergenti, di opere inedite, di produzioni originali e di nuove sedi concertistiche, anche anomale, in buona parte sul limitrofo territorio ...
read moreLouis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, from free jazz to film scores, from African music to neoclassical composition. Listening to Sources (2012), Sclavis' ninth release on the ECM label--and his ...
read moreLouis Sclavis Atlas Trio: Sources
by Ian Patterson
Multi-reedist, composer and improviser Louis Sclavis' ninth release for ECM sees this eternally restless seeker of new sounds and textures heading once more into personally unchartered territory; this is the first time Sclavis has led a trio of clarinet, guitar and piano. In guitarist Gilles Coronado and pianist Benjamin Mouassy, Sclavis has recruited open-minded musicians with the technique, discipline and imagination necessary to give life to his sketches of musical ideas, where formal structure and free rein co-exist in such ...
read moreLouis Sclavis Atlas Trio: Sources
by John Kelman
It's not uncommon for artists to shake things up by changing personnel to explore roads previously untraveled, but few push themselves so relentlessly into new territory through revamped instrumentation as Louis Sclavis. Still, since coming to ECM with the auspicious Rouge (1992), the French clarinetist/saxophonist has always maintained continuity between recordings--cellist Vincent Courtois carried over from Dans La Nuit (2002) to Napoli's Walls (2003), and percussionist François Merville showing up on L'imparfait des langues (2007) and Lost Along the Way ...
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