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57

Extended Analysis

Brad Mehldau Trio: Ode

Read "Brad Mehldau Trio: Ode" reviewed by Doug Collette

by Doug Collette

Brad Mehldau TrioOdeNonesuch Records2012The very first notes of the Brad Mehldau Trio's Ode sound rich, lyrical and full of energy. This may come as a surprise to those unfamiliar with the pianist's work, but loyal followers of Mehldau know he brings an unusual intensity to his work, particularly his solo projects and the collaborations with his trio (currently bassist Larry Grenadier and drummer Jeff Ballard). This, the first studio trio recording since ...

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113

Album Review

Brad Mehldau Trio: Ode

Read "Ode" reviewed by John Kelman

by John Kelman

The Art of the Trio: Recordings 1996-2001 (Nonesuch, 2011) provided an opportunity to reassess Brad Mehldau's rapid trajectory, though the trio that established him as one of the past two decades' most important pianists was long gone. If Jorge Rossy's replacement in 2005 seemed to open the trio up more, it's perhaps because drummer Jeff Ballard is a more assertive conversationalist, as demonstrated from the get-go on “Knives Out," the first track on Mehldau's debut with this updated incarnation, Day ...

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362

Extended Analysis

Brad Mehldau: The Art of the Trio - Recordings 1996-2001

Read "Brad Mehldau: The Art of the Trio - Recordings 1996-2001" reviewed by John Kelman

by John Kelman

Brad Mehldau Trio The Art of the Trio: Recordings 1996-2001 Nonesuch Records 2011 It's hard to believe that it's only been fifteen years since Brad Mehldau emerged on the scene, so prevalent and influential has the pianist become since then. At the same time as he was gaining some significant attention for his work with saxophonist Joshua Redman on Moodswing (Warner Bros., 1994), the then 24 year-old pianist had been recruited by Redman's label, ...

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327

Album Review

Brad Mehldau: Highway Rider

Read "Highway Rider" reviewed by Karl Ackermann

by Karl Ackermann

As a classically trained teen, Brad Mehldau was introduced to the music of Keith Jarrett setting him on the road to jazz. He did not abandon the classical genre and those influences were powerfully present in his first solo release Elegiac Cycle (1999). He has since written pieces for the Orchestre National d'Île-de-France and Carnegie Hall commissions for Anne Sofie von Otter and Renée Fleming respectively. Highway Rider is a two disc showcase of Mehldau's growth as both a composer ...

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Extended Analysis

Highway Rider

Read "Highway Rider" reviewed by John Kelman

by John Kelman

For a pianist who not only demonstrated remarkable promise, but actually began delivering on it at a very early stage in his career with what would ultimately become his five-part Art of the Trio (Warner Bros.) series, Brad Mehldau's side projects have--with the exception of the solo Live in Tokyo (Nonesuch, 2004)--met with mixed reactions. Perhaps it's because of his emergence as one of modern jazz's most distinctive and popular interpreters of both contemporary song and standard material in a ...

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168

Album Review

Joshua Redman: Compass

Read "Compass" reviewed by Jeff Stockton

by Jeff Stockton

No jazz musician with Joshua Redman's pedigree, chops and talent wants to be tagged as “cautious" or “cerebral," but that was Redman's reputation, perhaps right up until Back East was released in 2007. That CD, a return to straight-ahead acoustic playing after a brief digression, found the saxophonist fronting a few different rhythm sections (and standing next to a couple of guests) and generated natural comparisons to Sonny Rollins' classic Way Out West. Compass simultaneously extends the ...

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345

Album Review

Joshua Redman: Compass

Read "Compass" reviewed by Doug Collette

by Doug Collette

Joshua Redman has made some fine albums in the past, including Timeless Tales (For Changing Times) (Warner Bros., 1998), Passage of Time (Warner Bros., 2001) and Spirit of the Moment Live (Warner Bros., 1995), but he's never recorded one with such clarity of purpose as the self-produced Compass. In keeping with the dual meaning of the title word (alternately a verb to accomplish as well as the noun as a tool of direction) the saxophonist leads two different trios into ...

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