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About Kidd Jordan

46

Album Review

Kidd Jordan: On Fire

Read "On Fire" reviewed by John Sharpe

by John Sharpe

Incendiary similes have always proven popular as descriptors of free jazz. Indeed, “Fire Music," has been used as a label for the whole genre. New Orleans-based saxophonist Kidd Jordan's 2006 outing, the superb Palm of Soul (AUM Fidelity), essayed a meditative calm, music which couldn't be more different from the accurately named 50-minute studio session On Fire. While bassist Harrison Bankhead and drummer Warren Smith would be eminently suited to a contemplative, even melodically inclined date, here they too pursue ...

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65

Album Review

Kidd Jordan: On Fire

Read "On Fire" reviewed by Hrayr Attarian

by Hrayr Attarian

Tenor saxophonist Edward “Kidd" Jordan is one those rare musicians who is able to imbue the freest, most advanced improvisations with extreme lyricism and build complex harmonies out of dissonant notes. On Fire showcases his sublime musicianship to the fullest. On “Officer, that Big Knife Cuts My Sax Reeds," Jordan's breaths fire on an emotionally cathartic and furious solo, replete with honks and shrieks that grow more quietly contemplative yet also more elaborate as the piece progresses. ...

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337

Live Review

The Kidd Jordan Quartet Brings Free Jazz to Douglas Beach House, CA

Read "The Kidd Jordan Quartet Brings Free Jazz to Douglas Beach House, CA" reviewed by Bill Leikam

by Bill Leikam

Kidd Jordan Quartet Douglas Beach House Half Moon Bay, California March 7, 2010

On March 7th, with a stiff northerly wind blowing the flags straight out from the flag pole outside the Douglas Beach House and under a gray coastal sky, legendary jazz sax-man Sir Edward Kidd Jordan led his quartet consisting of Eddie Gale on trumpet, Warren Smith on drums, William Parker on bass onto the stage of the famous jazz venue ...

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677

Live Review

The Kidd Jordan Trio in Amherst, MA

Read "The Kidd Jordan Trio in Amherst, MA" reviewed by Lyn Horton

by Lyn Horton

Kidd Jordan, William Parker, Hamid Drake Magic Triangle Series Bezanson Recital Hall UMass Amherst, Amherst, Massachusetts Febrary 26, 2009

During one of the most tempestuous winters in memory, the twentieth season of the Magic Triangle Series at UMass Amherst began with the highly energetic performance of the Kidd Jordan Trio: Kidd Jordan on tenor, William Parker on upright bass and flute, Hamid Drake on drums, percussion and frame drum.

The ...

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573

Profile

Kidd Jordan: Freedom and Tradition

Read "Kidd Jordan: Freedom and Tradition" reviewed by Marc Medwin

by Marc Medwin

“Oh yes, I lost compositions, all my music, my instruments... pretty much everything," smiles Kidd Jordan. He hasn't actually mentioned Hurricane Katrina by name, nor does his voice betray the bitterness he must still feel, even two-and-a-half years after the disaster that nearly cost him members of his family. There is gentleness in his delivery, but it's underpinned by steel, by a determination to press on in the face of unbelievable tragedy and to do so with an unpretentiously positive ...

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963

Interview

Kidd Jordan: Messin' with the Kidd

Read "Kidd Jordan: Messin' with the Kidd" reviewed by Rex  Butters

by Rex Butters

Like many local legends around the country, Kidd Jordan is an immensely talented musician who resisted the urge to move to New York or LA. Based in Baton Rouge/New Orleans, Jordan became a renowned jazz educator with a long tenure at Southern University. So renowned, that his teaching has been documented by 60 Minutes and acknowledged by the French with Knighthood. His resume name checks an embarrassment of greats including Stevie Wonder, Professor Longhair, Sun Ra, Cecil Taylor, Martha and ...

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1

Album Review

Kidd Jordan - Hamid Drake - William Parker: Palm of Soul

Read "Palm of Soul" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Tante volte si evidenzia come l'improvvisazione afroamericana sia fortemente ancorata a un approccio spirituale, prima ancora che emozionale, con il suono e con il volere fare musica assieme. Troppo spesso sbrigativamente identificata con gli aspetti più viscerali e “dionisiaci" della costruzione sonora collettiva, specialmente dopo che Coltrane ha aperto quella porta da cui sembra che “ogni santo entri marciando", questa attitudine creativa è invece più strettamente legata a una dolorosa - ma non priva di speranza - meditazione sull'essere e ...

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