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Jazz Articles about Julian Siegel

About Julian Siegel

272

Album Review

Julian Siegel Quartet: Urban Theme Park

Read "Urban Theme Park" reviewed by Bruce Lindsay

by Bruce Lindsay
April 25, 2011

The Julian Siegel Quartet epitomizes some of the finest elements of jazz: creativity, virtuosity, collaboration, invention and (the often neglected) fun. As a result, Urban Theme Park, the band's second album, is a positive feast of music. Broadly speaking, this is probably best described as post-bop, but no single definition can encapsulate the breadth of vision Siegel and his fellow players bring to this collection--it's music, let's leave it at that. Reeds player Siegel has been part ...

264

Extended Analysis

Julian Siegel Quartet: Urban Theme Park

by Chris May
April 11, 2011

Julian Siegel Quartet Urban Theme Park Basho Music 2011 Now of an age which places him at the crossing point between Young Turk and seasoned older statesman, London reeds player Julian Siegel's progressive classicism is growing more compelling with every new album. Siegel's first Basho Music release, the helter-skelter Live At The Vortex, made with his “American trio," featuring bassist Greg Cohen and drummer Joey Baron, was a highlight of 2009. Urban Theme Park, ...

195

Album Review

Julian Siegel Trio: Live at the Vortex

Read "Live at the Vortex" reviewed by Jack Kenny

by Jack Kenny
October 1, 2010

The saxophone/bass/drums trio is a challenge both to the players and listeners, with no hiding place. Saxophonist Julian Siegel, drummer Joey Baron and bassist Greg Cohen prove that it can be creative, involving and exciting. Siegel has escaped the influence of John Coltrane, and it's possible to spend time working out his tenor influences before deciding that he is pure Siegel, with a sound that is fluid, warm and engaging. Siegel seems to enjoy the tenor; he plays it like ...

376

Album Review

Julian Siegel Trio: Live At The Vortex

Read "Live At The Vortex" reviewed by Chris May

by Chris May
May 18, 2009

He may or may not be “mad, bad and dangerous to know," as a female contemporary famously described the 19th century poet Lord Byron, but there is something distinctly Byronic about British reeds player Julian Siegel. His cascading curls (an early nickname was Wig), penchant for black clothing, and the intense lyricism of his playing combine to suggest a latter day Romantic, striving to find beauty in an often ugly world. Siegel's first instrument is the tenor ...