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Jazz Articles about Josephine Davies

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Radio & Podcasts

¡Golpe!, Josephine Davies & Ken Field

Read "¡Golpe!, Josephine Davies & Ken Field" reviewed by Maurice Hogue


Threesomes! If that's your thing, go for it, but in jazz there's no doubt of the dominance of trios as a common format. Four outstanding trios highlight this edition of OMJ: Portugal's explorative duo ¡Golpe! adds the outstanding bassist Masa Kamaguchi for its excellent new release, Totem, while two others maintain what's working: Bill Frisell with Thomas Morgan and Rudy Royston and England's Josephine Davies using saxophone and her Satori trio to take us through a Buddhism-related progam of fine ...

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Album Review

Collocutor: Continuation

Read "Continuation" reviewed by Gareth Thompson


Viewing the CV of musician-composer Tamar Osborn is like watching a tapestry unfurl in bewildering detail. Having started out on clarinet and saxophone, performing mostly classical works, she later studied rhythms and ragas in India, then collaborated with a vast array of talents, often fusing Afrobeat and Ethio-funk into jazzy paradigms. She was part of the onstage band for Fela! The Musical during its 2010 / 2011 runs in London, and formed her own Afrobeat-informed band, The Fontanelles, in 2011. ...

2
Album Review

Josephine Davies' Satori: In The Corners Of Clouds

Read "In The Corners Of Clouds" reviewed by Roger Farbey


It's interesting to compare In The Corners Of Clouds with Josephine Davies' previous album simply entitled Satori (Whirlwind, 2017). That live album was recorded at a gig in London in 2016, whereas In The Corners Of Clouds was recorded at Buffalo Studios, London in February 2018. The line-up has changed slightly too with Paul Clarvis replaced by James Maddren on drums, but essentially both share the attributes of consistent inventiveness. The serpentine, Eastern-inflected “Wabi Sabi" catches and holds ...

1
Album Review

Josephine Davies: Satori

Read "Satori" reviewed by Roger Farbey


An alumnus of the Guildhall School of Music and Drama, Josephine Davies's follow-up to her 2010 Trio Records album Perspective. She is a member of the excellent London Jazz Orchestra which habitually stuns audiences with its collective virtuosity; she also composes for this big band too. She appeared on fellow LJO member Pete Hurt's landmark 2016 release A New Start. Between them, bassist Dave Whitford and drummer Paul Clarvis have large enough CVs to fill a couple of hefty articles. ...


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