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Jazz Articles about Jonathan Finlayson
Steve Coleman and Five Elements: PolyTropos / Of Many Turns
by Troy Dostert
Perpetually churning rhythms, telepathic detours, unexpected juxtapositions: these are the stock-in-trade of Steve Coleman's Five Elements. And once again the intrepid alto saxophonist's inimitable approach surfaces on PolyTropos / Of Many Turns, a generous, two-disc helping of music that manages to be both intricately complex and fundamentally accessible at the same time. With two live dates captured in France in March of 2024, one can easily appreciate the infectious energy Coleman's group can generate, with rhythmic and melodic permutations galore, ...
Continue ReadingThe Jamie Baum Septet+: What Times Are These
by Angelo Leonardi
Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...
Continue ReadingJamie Baum Septet+: What Times Are These
by Katchie Cartwright
Reading Marge Piercy's poem “To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those “who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that “the thing worth doing has a shape that satisfies, clean and evident." What Times Are These is a satisfying form of this sort. Confined to her New York apartment during the Covid-19 lockdown, Baum responded ...
Continue ReadingSteve Lehman & Orchestre National de Jazz: Ex Machina
by Mark Corroto
Does Ex Machina settle the long-standing debate about whether saxophonist Steve Lehman is human or a replicant. Lehman and his approach to music may remind one of Rick Deckard, played by Harrison Ford in Blade Runner (1982) a movie adaptation of Do Androids Dream of Electric Sheep? by Philip K. Dick; Deckard was tasked with hunting and destroying humanoid replicants i.e. robots. The film never answers the question viewers might have as to whether Deckard is actually a replicant himself. ...
Continue ReadingSteve Lehman: Ex Machina
by Karl Ackermann
When native New Yorker Steve Lehman releases an album, the odds are it will turn up at the top of year-end polls. If the composer & saxophonist has a formula for success, a listener would be unlikely to discern a methodology across his previous sixteen leader releases. What sets Lehman apart is a hunger for knowledge and risk. With advanced degrees which culminated in a doctorate from Columbia University, he is a researcher, scholar, and Professor of Music at The ...
Continue ReadingSteve Coleman and Five Elements: Live at the Village Vanguard Volume II (MDW NTR)
by Vincenzo Roggero
Circa un anno dopo i due set incendiari confluiti nel meraviglioso Live at Village Vanguard Vol. I (PI Recordings, 2018), Steve Coleman e i suoi fidi Five Elements ritornano sul luogo del delitto e danno vita ad un doppio set, se possibile, ancora più entusiasmante. L'ennesimo aggiustamento di formazione, al chitarrista Miles Okazaki succede il fuoriclasse dello freestyle Kokayi, fornisce un ulteriore impulso alla musica di Coleman, dove la voce e le metriche del rapper sembrano andare a nozze con ...
Continue ReadingJacob Garchik: Clear Line
by Dan Bilawsky
As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to bold heights on this, the most original, least derivative big band recording to arrive in ages. Basically throwing out the rule ...
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