Jazz Articles about Johnny Varro

like 190

Terry Myers: Smiles

by Andrew J. Sammut
April 8, 2011

Tuneful, swinging and technically polished. Terry Myers isn't worried about anything else jazz is “supposed" to be. Smiles is a relaxed yet energetic romp through some standards, ballads and blues that the Florida-based saxophonist clearly loves to play. There's nothing complex or innovative here, just four musicians having a good time and looking to take the listener along. A jumping “Them There Eyes" introduces Myers's straightforward approach to contemporary swing. He crafts phrases with rhythm and reason ...

like 326

Johnny Varro: Two Legends of Jazz

by Joel Roberts
October 2, 2009

Though they're separated by nearly 30 years in age, veteran pianist Johnny Varro and clarinetist Ken Peplowski are a perfectly matched pair. Varro, born in Brooklyn in 1930, has been a leading proponent of small-group swing since the '50s, appearing over his long career with the likes of Pee Wee Russell, Buck Clayton and Eddie Condon. Nearing 80, he remains active on the festival and club circuit, still playing in the elegant, Teddy Wilson-inspired style that's been his hallmark for ...

like 304

Johnny Varro: Two Legends of Jazz

by Mike Neely
June 29, 2009

Traditional jazz fans are lucky because Two Legends of Jazz catches pianist Johnny Varro and clarinetist Ken Peplowski on an inspired day in the studio. Varro has a light, subtle touch and melodic gift reminiscent of Teddy Wilson. Co-leader Peplowski sets aside his saxophones for clarinet during the entire session, which is a treat because his older style, woody sound meshes well with Varro's bright, precise piano. Peplowski is as shrewd and savvy on clarinet as he is on saxophone.

like 135

The Johnny Varro Swing Seven: The Johnny Varro Swing Seven: Swingin' on 57th Street

by Mike Neely
December 1, 2001

The Johnny Varro Swing Seven: Swingin’ on West 57th Street is a bright, upbeat septet recording that presents a band with distinctive soloists and a superb rhythm section. Johnny Varro on piano, Michael Moore on bass, and Joe Ascione on drums, are about as good a rhythm section as there exists in traditional jazz, precise and agile with the power to push the music to another level.

The lively arrangements are nearly all written by the leader/pianist Johnny Varro. The ...