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Jazz Articles about John Scofield

573
Live Review

"This Meets That" Live: John Scofield On Tour

Read ""This Meets That" Live: John Scofield On Tour" reviewed by Doug Collette


John Scofield Trio and the ScoHorns The Hopkins Center for the Performing Arts Dartmouth College Hanover, New Hampshire October 6th, 2007

John Scofield radiates such infectious joy when he plays, it's well nigh impossible not to share it. Whether it's on stage with MMW, Phil Lesh or fronting a group of his own, as he did October 6th at Dartmoth College, the venerable guitarist draws in his co-musicians no less ...

221
Album Review

John Scofield: This Meets That

Read "This Meets That" reviewed by Doug Collette


The first tones you hear on This Meets That are those of John Scofield's guitar as if it's being tuned to a particular frequency. Listening to the CD it becomes clear there is, in fact, a wavelength into which all the musicians involved have locked.

No doubt bassist Steve Swallow and drummer Bill Stewart know that wavelength well, having worked with Scofield in the past, including Enroute (Verve, 2004). Yet it's crucial to appreciating This Meets That that it's not ...

1,102
Album Review

John Scofield: This Meets That

Read "This Meets That" reviewed by John Kelman


It was inevitable. Guitarist John Scofield has, for the past decade, alternated regularly between albums aimed at the groove-centric (and broader) demographic he first captured with A Go Go (Verve, 1998) and discs appealing to a more committed jazz audience. Scofield has always represented a unique combination of advanced harmony, allowing him to seamlessly migrate between playing “in" and “out," visceral funk and blues concerns. The “This" and “That" music, referred to in the title This Meets That, is even ...

512
Profile

John Scofield: Sco'in For It

Read "John Scofield: Sco'in For It" reviewed by Terrell Kent Holmes


One would shortchange guitar maestro John Scofield substantially by describing him simply as a jazz musician. He has played in various genres from fusion to straight ahead to soul jazz. He made his first recordings as a leader in the mid-1970s and several years later landed the gig of his career by joining Miles' band shortly after Davis' emergence from the shadows of a self-imposed exile. Today, at 54, Scofield continues to grow by expanding into new territories. He has ...

1
Album Review

Trio Beyond (DeJohnette - Goldings - Scofield): Saudades

Read "Saudades" reviewed by AAJ Italy Staff


Questo bellissimo doppio album è sostanzialmente un atto di amore. Un tuffo nella memoria che esalta le splendide doti strumentali dei tre protagonisti, una esternazione vigorosa che riporta l'attenzione su una delle esperienze artistiche più stimolanti, ma ahimé anche meno fortunate, di quella stagione meravigliosa a cavallo fra la fine degli anni sessanta e l'inizio del decennio successivo. Stiamo parlando ovviamente del mitico trio messo assieme da Tony Williams con John McLaughlin e con Larry Young nella primavera del 1969, ...

894
Live Review

John Scofield: Music of Ray Charles - Gatineau, Canada 10/15/05

Read "John Scofield: Music of Ray Charles - Gatineau, Canada 10/15/05" reviewed by John Kelman


John Scofield Plays the Music of Ray Charles Theatre, Casino du Lac Leamy Gatineau, Quebec October 15, 2005

With the passing of singer Ray Charles last year, it's no surprise that a proliferation of tribute albums have been coming out of the woodwork. In the jazz world, it's safe to say that there's no guitarist of significance better-suited for adapting the soulfulness and groove of Charles' music to a looser improvisational context than John ...

333
Album Review

John Scofield: That's What I Say: John Scofield Plays The Music of Ray Charles

Read "That's What I Say: John Scofield Plays The Music of Ray Charles" reviewed by David Miller


Over the past decade, John Scofield has put out three types of albums. First, there are the acoustic post bop outings: Quiet, Works For Me, and his latest release, EnRoute. Second, there are the funk-jazz records: Grace Under Pressure, Hand Jive, and Groove Elation. And finally, there are the funky acid-soul-jazz records, A Go Go, Bump, Uberjam and Up All Night. That's What I Say falls squarely between the latter two categories. While it has the bluesy foundations of Hand ...


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