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Jazz Articles about John Chiodini

21
Album Review

Jim Self: My America 3/My Country

Read "My America 3/My Country" reviewed by Jack Bowers


Tuba maestro Jim Self, who always has a creative trick or two up his ample sleeve, has subtitled the third volume of My America, his recorded tribute to the land of the free and the home of the brave, My Country, to which he could have added the word “music," as this is an album of country and western songs splendidly arranged for a fourteen-member jazz group by Kim Scharnberg. This is by and large bright and ...

37
Album Review

The Jim Self-John Chiodini Duo: Feels So Good

Read "Feels So Good" reviewed by Jack Bowers


Tuba maestro Jim Self and gregarious guitarist John Chiodini unite for the fifth time on Feels So Good, a studio date whose title neatly encapsulates its upbeat vibe. Even though it seems at first blush that the tuba and guitar should be playing in different leagues, Self and Chiodini somehow make the odd mixture work. Self usually carries the melodic weight while Chiodini offers counterpoint and rhythmic support. The duo performs on eight of the session's thirteen numbers and is ...

30
Album Review

The Jim Self & John Chiodini Quintet: Touch and Go

Read "Touch and Go" reviewed by Jack Bowers


A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and Go. The music they make can best be described as smooth and tasteful--although “swinging" would not be out of place either, ...

43
Album Review

Jim Self: My America 2: Destinations

Read "My America 2: Destinations" reviewed by Jack Bowers


Tuba maestro Jim Self's My America 2: Destinations is a successor of sorts to the album My America, recorded and released some twenty years before, also on Self's Basset Hound label. While personnel has inevitably changed (only trombonist Bill Booth returns from that earlier album), Self has employed the services of the same arranger, Kim Scharnberg—and thank goodness for that! Although Self and his eleven-member supporting cast acquit themselves well, it is Scharnberg's ingenious charts that make this engine run. ...

2
Album Review

Jim Self: Hangin' Out

Read "Hangin' Out" reviewed by Richard J Salvucci


One can be forgiven for not knowing a saxhorn from a saxophone, or, for that matter, whether a particular horn is a member of a certain family. Yes, there are aficionados (not to mention serious players) who can quite accurately describe the histories of the instruments, their lineages, and their peculiarities or idiosyncracies. Yet for many, it is difficult to distinguish a cornet from a trumpet. With a clever choice of mouthpiece, an adept instrumentalist can render them basically indistinguishable ...

27
Album Review

The Jim Self / John Chiodini Duo: Hangin' Out

Read "Hangin' Out" reviewed by Jack Bowers


Hangin' Out is the third album by the unlikely duo of Jim Self on tuba and John Chiodini on guitar. This time around, they hang out on five of the thirteen numbers with special guests--trombonist Scott Whitfield, tenor saxophonist Tom Peterson, baritone saxophonist David Angel and flugelhorn player Ron Stout, each of whom has a feature number before joining the leaders for a full-fledged jam on the lyrical finale, Johnny Burke/Jimmy Van Heusen's enduring standard, “It Could Happen to You," ...

6
Album Review

The Biscodini Organ Trio: Lockdown

Read "Lockdown" reviewed by Doug Collette


With Lockdown, the Biscodini Organ Trio don't exactly reinvent the instrumental concept at the heart of its name, but the album does go a long way in reminding us of its self-renewing nature. The collective light touch tendered by this guitar/keyboard/drums ensemble taps the potential of the format in such a way both the material and its musicianship sounds equally fresh and infectious. This reaffirmation of one of the most viable concepts in jazz is all the more ...


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