Jazz Articles about Jimmy Smith

The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)

by Russell Perry
April 7, 2020

Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue to explore Soul Jazz in the 1960s. Playlist Host Intro 0:00 Jimmy Smith Trio “After Hours" from Groovin' at Smalls' Paradise (Blue ...

Jimmy Smith: Groovin’ at Smalls Paradise – 1957

by Marc Davis
October 1, 2015

I love the jazz organ. I love Jimmy Smith. But I don't love Groovin' at Smalls Paradise. When Smith burst onto the scene in 1956, he was a genuine phenomenon. Not only was he wildly popular, but also wildly prolific. In just three years, from 1956 to 1958, Smith put out a mind-boggling 23 albums. Blue Note had a bona fide star, and the label sure knew how to milk the craze. Some of those records ...

Jimmy Smith: Master of the Hammond B-3

by Mark Sabbatini
May 1, 2015

Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as co-players could explore new roles. Yet, while the consensus is Smith's playing is a jazz landmark, his recordings fall short of such acclaim.

Jimmy Smith: Midnight Special – Blue Note 4078

by Marc Davis
February 10, 2015

The history of jazz is filled with great pairs: Duke Ellington and Billy Strayhorn--Dizzy Gillespie and Charlie Parker--Dave Brubeck and Paul Desmond--Wayne Shorter and Joe Zawinul. Add one more pair to the list: Jimmy Smith and Stanley Turrentine. Smith was the ground-breaking organist, steeped in the blues, who introduced the Hammond B-3 as a legitimate hard bop alternative to the piano. Turrentine was the legendary tenor saxman, steeped in the blues, who became synonymous with 1960s ...

Jimmy Smith: A New Sound, A New Star, Vol. 1 and 2 – Blue Note 1512 and 1514

by Marc Davis
August 26, 2014

Listening to Jimmy Smith's early recordings is like listening to Chuck Berry play “Johnny B. Goode." Today, every rock guitarist from junior high school on knows the riff and can play it by heart. But Chuck Berry did it first, and arguably best. There were no great rock guitar licks before Chuck Berry. He created the template. It's the same with Jimmy Smith. Today, there are dozens of jazz organists who can play bop, blues and beyond. They're ...

Jimmy Smith: Plays Fats Waller

by Chris M. Slawecki
March 14, 2009

Fats Waller, whose rollicking contributions have enlivened the American songbook since the 1930s, once wrote, “Well, I really love the organ. I can get so much color from it than the piano that it really sends me." About a generation later, Jimmy Smith fell in love with the Hammond B-3 organ.

Here in the company of guitarist Quentin Warren and drummer Donald Bailey (both of whom played on every Smith trio recording for five decades), the latter pays ...

Organ Jazz: Jimmy Smith & Gloria Coleman

by Graham L. Flanagan
December 7, 2008

Jimmy Smith Jimmy Smith at Club Baby Grand, Vol. 1 & 2 (RVG) Blue Note 2008 Gloria Coleman Sweet Missy Doodlin' 2008

Ever since pianist Wild Bill Davis made his landmark transition to the Hammond organ in 1950, jazz has never been the same. A device once deemed suitable strictly for ...