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Jazz Articles about Jean-Michel Pilc
Jean-Michel Pilc, Marilyn Mazur, Mads Vinding: Composing
by Chris Mosey
A magical mystery tour with two heavies of the avant garde and one good old reliable jazz bassist who fits in anywhere. To be more precise: American/Danish percussionist Marilyn Mazur, she of the frizzy hair and intense eyes; French pianist Jean-Michel Pilc, he of the goatee beard and dark, moody gaze; and Denmark's Mads Vinding, he whose eyes and beard (or lack of one) fit in anywhere. Lurking in the wings, are two muses. First there's Wayne ...
read moreJean-Michel Pilc: What Is This Thing Called?
by Budd Kopman
Pianist Jean-Michel Pilc has produced an extraordinary musical document with the release of What Is This Thing Called?. Superficially, the CD is a set of improvisations on Cole Porter's tune What Is This Thing Called Love?," and it can be listened to in that manner. However, it is really an invitation into Pilc's sound world, his musical mind and his emotional being, and as such, it is very intimate. Accepting the invitation makes for a thrilling and intense ...
read moreProfound Pianistic Presentations: Jazz Heaven DVDs from Jean-Michel Pilc and Enrico Pieranunzi
by Dan Bilawsky
There's more to music than the simple absorption and understanding of notes, rhythm, melody, and harmony; there's more to jazz than what naturally meets the eyes and ears; and, most daunting of all, there's more to learn than we can ever possibly imagine. But fear not, for there are resources out there to help aspiring musicians in their quest for a deeper understanding of music. Jazz Heaven has been tapping into some of the finest jazz player-educators ...
read moreJean-Michel Pilc: What Is This Thing Called?
by Mark Corroto
Jean-Michel Pilc's solo piano recording What Is This Thing Called? might have been titled Thirty-one Conversations About One Thing." That 'one thing' being his 31 variations on Cole Porter's composition What Is This Thing Called Love." Why record 31 versions of one song? Maybe ask yourself why Claude Monet created so many paintings of the same haystacks. Pilc, the Paris born, New York based pianist heads up an octet, a few trios, including one with Victor Lewis & ...
read moreJean-Michel Pilc: Essential
by AAJ Italy Staff
Jean-Michel Pilc è uno straordinario pianista, tutto sommato quasi ignorato da noi. Nel suo bagaglio ci sono tanto il dinamismo e la trasversalità di eredità monkiana, quanto la cerebralità sofisticata del cesellatore, anime contrapposte che Pilc tende a praticare in ambiti diversi: la prima in trio - le cui più recenti prove sono True Story, dello scorso anno, e Threedom, di quest'anno - e la seconda in piano solo. Proprio in solo è il lavoro in esame, che arriva sette ...
read morePilc-Moutin-Hoenig Trio: Washington, D.C. May 17, 2011
by Franz A. Matzner
Jean-Michel Pilc / Ari Hoenig / François Moutin Blues Alley Washington, D.C. May 17, 20011Tumultuous, unpredictable, vibrant with variegated rhythms and tempos, shimmering with torrents of sound and spiraling tendrils of color, the Pilc-Moutin-Hoenig Trio's recent performance at Blues Alley proceeded less like an unveiling and more like the exploding of a star--the event emitting a creative shock wave of force, overlapping forms, light, darkness, expanding and contracting space.The resonating artistic ...
read moreJean-Michel Pilc: True Story
by Raul d'Gama Rose
There are few pianists in any realm of music as expressive, and with such extraordinary touch and dynamics, as Jean-Michel Pilc. He is also so enormously inventive that he might be perhaps one of very, very few pianists to inhabit the same rarefied atmosphere as Bill Evans. And that is only half the story. To Pilc, the piano is not another instrument; it is an extension of the human voice. It whispers sensuously and provocatively, babbling on with excited chatter ...
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