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About Jamie Saft

12

Album Review

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by C. Michael Bailey

by C. Michael Bailey

If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and center of not just the jazz world, but the music world. Saft has recorded widely, most notably with John Zorn, Wadada Leo ...

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5

Bailey's Bundles

Formats – Solo Through Nonet

Read "Formats – Solo Through Nonet" reviewed by C. Michael Bailey

by C. Michael Bailey

One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste of Blood, Slobber Pup, Plymouth, Red Hill, The Spanish Donkey and Berserk! and Avant Gard jazz with Steve Swallow, Bobby Previte, Roswell Rudd, and ...

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7

Album Review

Jamie Saft: Solo a Genova

Read "Solo a Genova" reviewed by Doug Collette

by Doug Collette

Jamie Saft's first solo album in his twenty-five year career, Solo A Genova, captures this restless, daring artist interpreting a selection of songs that reflect his eclectic taste as a reflection of his customary willingness to challenge himself. The sum effect of hearing this recording from Italy in March of 2017 is an altogether glorious experience made all the more stirring by the inclusion of audience applause: while the response of the attendees is hushed, perhaps out of respect, it's ...

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10

Album Review

Jamie Saft: Solo a Genova

Read "Solo a Genova" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Jamie Saft's Solo A Genova is a revelation. It is, in an extensive discography, his only alone-in-the-piano-chair outing. Saft has made a wide-ranging mark in collaborations with Slobber Pup, Metallic Taste of Blood, The Spanish Donkey and Berserk! These group names don't say it all, but do probably say something (Brash? Unconventional? Loud?) about the sounds they make. But for the jazz fan of the more purist persuasion, his piano trio discs are probably the ones that find their ...

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7

Interview

Jamie Saft: Jazz in the Key of Iggy

Read "Jamie Saft: Jazz in the Key of Iggy" reviewed by Luca Canini

by Luca Canini

In 1988 Bill Laswell produced Iggy Pop's album Instinct. Back then, little he could have known that, almost thirty years later, he would have been instrumental in facilitating the iconic singer's first foray in the Jazz world. Loneliness Road (RareNoiseRecords) documents the latest incarnation of James Newell Osterberg Junior, the front man of proto-punk band The Stooges. In this interview pianist Jamie Saft details the making of this one-of-a-kind project. A graduate of Tufts University and the New ...

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Interview

Jamie Saft: il jazz secondo Iggy Pop

Read "Jamie Saft: il jazz secondo Iggy Pop" reviewed by Luca Canini

by Luca Canini

Chissà come l'avrebbe presa Bill Laswell se qualcuno nel 1988, durante la lavorazione di Instinct, gli avesse detto che un giorno lontano una trentina d'anni avrebbe contribuito a spingere Iggy Pop sulla strada del jazz. E non del quasi jazz o del jazz pop, ma del jazz quello vero, fatto di arpeggi eleganti e notturni, di atmosfere sospese, di piatti che tintinnano e di corde che vibrano sornione. Probabilmente il signor Laswell, in studio in quei giorni con l'Iguana nelle ...

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9

Album Review

Jamie Saft: Loneliness Road

Read "Loneliness Road" reviewed by Doug Collette

by Doug Collette

Much of Iggy Pop's early notoriety in his days with the Stooges was predicated on shock value. These days his durability and longevity as an artist render his continued presence only slightly less startling: the seminal punk-rocker is hitting his seventieth decade, a milestone few might've forecast for him around the time of Raw Power (Columbia, 1973). Multi-instrumentalist and composer Jamie Saft is no doubt aware of this dynamic because he has his own predilections to confound, which is no ...

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