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Jazz Articles about Jamie Saft
Jamie Saft, Steve Swallow, Bobby Previte: You Don't Know The Life
by Dan McClenaghan
Since his 1997 recording debut, keyboardist Jamie Saft has carved out a dynamic profile, first (mostly) with John Zorn's Tzadik label and, since 2011, with RareNoise Records. A string of four releases on the label set the stage, beginning with 2014's trio outing The New Standard, through Loneliness Road (2017) (another trio set, with Iggy Pop sitting in on a few tunes), Solo A Genova (2018), and the quartet recording, Blue Dream, featuring saxophonist Bill Henry. It was a busy ...
Continue ReadingDoug Collette's Best Releases of 2018
by Doug Collette
It wasn't hard in the least to compile a 'Best of...' list for 2018. The titles were self-evident as they rolled out, with almost clockwork regularity, over the course of the twelve months, ultimately comprising what I kept going back to most often during the year, enjoying each one more (and in a slightly different way) with each successive hearing. Jamie Saft Solo A Genova Rare Noise Records Jamie Saft Quartet
Continue ReadingThe Jamie Saft Quartet: Blue Dream
by Vincenzo Roggero
Se Solo a Genova ci aveva rivelato il lato sorprendentemente intimo e meditativo di Jamie Saft, Blue Dream espande sia a livello sonoro che di formazione quel mood e quella visione. Regalandoci così un album classico per struttura e concezione, sobrio nel rivisitare i canoni di un jazz in gran parte ancorato alla strada maestra, creativo nel trovare soluzioni e sviluppi. Nove composizioni originali che suonano come standard e tre standard storici si fondono in un unicum ...
Continue ReadingJamie Saft Quartet: Blue Dream
by Doug Collette
His third fairly conventional release in a row, Blue Dream is Jamie Saft's second release of this year, followup of a sort to the splendid piano recital Solo a Genova (Rarenoise, 2018). Both titles appear subsequent to a diverse string of projects including Plymouth (Rarenoise, 2014), Red Hill (Rarenoise, 2014) and Serenity Knolls (Rarenoise, 2017), none of which have much in common sonically or conceptually apart from an elevated level of collective creativity. Similar in concept to the ...
Continue ReadingJamie Saft: Solo a Genova
by Vincenzo Roggero
Dando un'occhiata alla scaletta dei brani, qualche perplessità sulla messa a fuoco di un progetto che mette insieme Joni Mitchell e John Coltrane, ZZ Top e Miles Davis, Stevie Wonder e ... Charles Ives si affaccia spontanea. Ma se lo Steinway D-274 che sfrutta l'eccellente acustica dell' Auditorium Eugenio Montale di Genova è nelle sapienti mani di un musicista onnivoro e trasversale come pochi quale Jamie Saft i dubbi svaniscono all'istante. E l'ascolto lo conferma appieno. Solo ...
Continue ReadingJamie Saft Quartet: Blue Dream
by C. Michael Bailey
If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and center of not just the jazz world, but the music world. Saft has recorded widely, most notably with John Zorn, Wadada Leo ...
Continue ReadingFormats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste of Blood, Slobber Pup, Plymouth, Red Hill, The Spanish Donkey and Berserk! and Avant Gard jazz with Steve Swallow, Bobby Previte, Roswell Rudd, and ...
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