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Jazz Articles about Ingrid Laubrock

710
Interview

Ingrid Laubrock: A New Saxophone Colossus

Read "Ingrid Laubrock: A New Saxophone Colossus" reviewed by Chris May


With Sleepthief (Intakt, 2008), Ingrid Laubrock--a uniquely adventurous saxophonist and bandleader on the British scene since mid decade--has made an album so exceptional that the German-born, London-based musician hasn't gone so much global as galactic.

Deep, singular and utterly compelling, Sleepthief features Laubrock in a trio with British pianist Liam Noble and American drummer Tom Rainey, on a wholly improvised program in which she dazzles both with her brilliantly inventive playing and with the paradigm-shifting sonic ...

507
Album Review

Ingrid Laubrock: Sleepthief

Read "Sleepthief" reviewed by Nic Jones


Saxophonist Ingrid Laubrock is one of a handful of musicians who have plotted a disparate course through the music whilst ensuring that not an element of their trajectory sounds contrived. There's also an enviable lack of contrivance about her work, and this disc offers abundant proof of that. Furthermore Intakt is a label with built-in quality control and as such this meeting between musician and label feels so right.

Laubrock has already had the opportunity to build up an exceptional ...

373
Album Review

Ingrid Laubrock with Liam Noble & Tom Rainey: Sleepthief

Read "Sleepthief" reviewed by Chris May


Listen, this is true. With Sleepthief, Ingrid Laubrock--since mid decade amongst the most interesting saxophonists and bandleaders on the British scene--has made an album so exceptional that it positions the German-born, London-based player as perhaps the most daring and exciting saxophonist anywhere in the world in 2008. It really is that extraordinary--and momentous--a release.

Wholly improvised, with no preconceived tunes, no overdubs, no post-production and no edits, and with the tracks sequenced in pretty much the same order ...

309
Album Review

Ingrid Laubrock & Liam Noble: Let's Call This...

Read "Let's Call This..." reviewed by Chris May


Though she's frequently heard on soprano saxophone, which she uses throughout this vividly painted little masterpiece of a disc, bandleader and composer Ingrid Laubrock has probably made her biggest impact as an instrumentalist on tenor. On the most recent release by her own band, Forensic (F-IRE, 2004), and in live performances with her own quintet and Polar Bear, the wild, off-the-page textural vocabulary Laubrock has created on the bigger horn has arrived amongst the most thrilling sounds in jazz.

But ...

845
Interview

Ingrid Laubrock: Playing with the Future

Read "Ingrid Laubrock: Playing with the Future" reviewed by Chris May


Born and brought up in Germany, but resident in London since 1990, saxophonist, composer and bandleader Ingrid Laubrock started getting noticed on the UK scene in 1997, with the release of her first solo album, Who Is It?. The same year she began recording with Brazilian singer Monica Vasconcelos' band Nois, a collaboration which continues on the road and in the studio, and in 2001 recorded her second album, Some Times.

Those first two solo albums, both on Candid, documented ...

251
Live Review

Ingrid Laubrock Quintet: Live at the Progress Bar

Read "Ingrid Laubrock Quintet: Live at the Progress Bar" reviewed by Chris May


Ingrid Laubrock Quintet Progress Bar London April 21, 2005

Being at a F-IRE performance in '05 feels like it must have felt to be at Minton's Playhouse in '41 or the Cavern Club in '63. There's a sense of being somewhere where the future is being written out in front of you. You feel like you're part of something thrilling and revolutionary. And you are.

F-IRE, the London-based musicians' collective - which includes ...

401
Album Review

Ingrid Laubrock: Forensic

Read "Forensic" reviewed by Chris May


Darkly beautiful and breathtakingly inventive, Ingrid Laubrock's third own-name album is one of the very best to come out of the UK in recent months, and also the one which heralds the arrival of the London-based saxophonist as a major player on the international jazz stage.

Mysterious, moody and close to the edge, Forensic plays like a new take on the noir tradition. It's astringent and shadowy, like you'd expect from noir, but it's also visceral, hot and ...


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