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Jazz Articles about Idris Muhammad

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Liner Notes

Hank Crawford: Help Me Make It Through The Night

Read "Hank Crawford: Help Me Make It Through The Night" reviewed by Arnaldo DeSouteiro


One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded  for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums he cut for the label sold over 100,000 copies with almost no promotion. And his Kudu debut, Help Me Make It Through The Night, ...

5
Liner Notes

Eric Gale: Forecast

Read "Eric Gale: Forecast" reviewed by Arnaldo DeSouteiro


Eric Gale (born on September 20, 1938, of Barbadian parents, in Brooklyn, NY) recorded over 500 albums as sideman, backing such stars as Aretha Franklin, King Curtis, Dianna Ross, Paul Simon, Lena Horne, Michel Legrand, Quincy Jones, Roberta Flack, Gladys Knight & The Pips, Joe Cocker, Carly Simon, Van Morrison, Milton Nascimento, Billy Joel, Gato Barbieri and Mongo Santamaria, to name a few. Gale's association with Creed Taylor began when the celebrated producer was working at Verve Records. ...

5
Liner Notes

CTI Acid Jazz Grooves by Various Artists

Read "CTI Acid Jazz Grooves by Various Artists" reviewed by Arnaldo DeSouteiro


The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most “sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on this album (all of them produced by Creed Taylor and engineered by Rudy Van Gelder) represented the basic inspiration and major influence in the ...

10
Liner Notes

Lou Donaldson: Say It Loud

Read "Lou Donaldson: Say It Loud" reviewed by C. Andrew Hovan


It's hard to imagine now, but there was a time when the sound of jazz could be heard lingering in the smoky corners of neighborhood bars in every major city from New York to Los Angeles. These ghetto hangouts were on what was often called the 'chitlin' circuit,' a network of predominantly black operated venues that presented organ combos as the norm. Be it at The Smiling Dog Saloon in Cleveland or The Front Room in Newark, jazz and more ...

10
Album Review

Pharoah Sanders Quartet: Live At Fabrik

Read "Live At Fabrik" reviewed by Chris May


One reason Pharoah Sanders was such a special artist was the prismatic nature of his music. When Sanders lit on to a new avenue of investigation, he did not in the process reject what he had been doing up until that moment. Instead, he wove the new perspective into the existing structure, enriching rather than replacing it. The result was a rainbow in which the joins between what might have been, in lesser hands, incompatible instead became inaudible, and the ...

1,322
Interview

Idris Muhammad: Coming to Grips with His Greatness

Read "Idris Muhammad: Coming to Grips with His Greatness" reviewed by R.J. DeLuke


This interview was originally published on May 2002. “Style? No, I just play, man. I don't really have a style. Just being able to play music is a style, you know?" says the veteran drummer master Idris Muhammad in his laid-back and understated style. Others know better than to take that self-effacing comment at face value. His style developed into a unique sound over the years, a New Orleans-based rhythm that has influenced many other drummers ...

9
Book Review

Idris Muhammad with Britt Alexander: Inside The Music – The Life of Idris Muhammad

Read "Idris Muhammad with Britt Alexander: Inside The Music – The Life of Idris Muhammad" reviewed by Dave Wayne


Inside the Music: The Life of Idris Muhammad Idris Muhammad with Britt Alexander 235 pages ISBN: 978-1-4691-9216-1 XLibris Corporation 2012 In popular music, particularly before musicians' credit listings became the norm on records, drummers --and really all rhythm section stalwarts--worked in obscurity no matter how brilliant their playing was. A case in point is the legendary New Orleans funk/soul/jazz drummer Idris Muhammad (or Leo Morris prior to his conversion to Islam). Known more ...


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