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John Beasley: MONK'estra Plays John Beasley
			
				by Jim Worsley
				
							
In 2016 John Beasley gifted us with John Beasley Presents Monk'estra Volume 1 (Mack Avenue). The buzz of that superb record led to John Beasley Presents Monk'estra Volume 2 (Mack Avenue, 2017). Both records were Grammy nominated for Best Large Jazz Ensemble Album. They were both more than Grammy worthy, but alas the competition is fierce. Beasley has been more than a Thelonious Monk fan throughout his life, including his now over forty years in the music industry. ...
Continue ReadingRodrigo Lima: Saga
			
				by Chris M. Slawecki
				
							
I fell in love with the jazz guitar--all kinds of jazz guitarists, from Jim Hall to Pat Metheny to Luis Bonfá, by listening to their records," explains Brazilian composer, arranger, bandleader and guitarist Rodrigo Lima. Saga luxuriously extends this jazz guitar love affair across the American and Brazilian continents--it was recorded in New York, Los Angeles, Rio de Janeiro and Curitiba--and across the two CDs of Lima's utterly magnificent recorded debut. Producer Arnaldo DeSouteiro elegantly ...
Continue ReadingHubert Laws: In The Beginning
			
				by Dan Bilawsky
				
							
Hubert LawsIn The BeginningCTI Masterworks2011 (1974) The release of a double album during the LP-era could be a double-edged sword. This format provided a platform for artists to elaborate on their ideas and serve a hefty portion of music to their fans and potential followers, but a single record forced musicians to self-edit a bit more, making them more likely to come out at the other end with a concise artistic ...
Continue ReadingHubert Laws: Flute Virtuoso and NEA Jazz Master
			
				by Greg Thomas
				
							
After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship in the class of 2011, the penultimate group of honorees before the program closes after the 2012 ceremony. I've been enamored ...
Continue ReadingMcCoy Tyner: Fly With The Wind
			
				by Graham L. Flanagan
				
							
McCoy Tyner may be best-known for his legendary tenure with John Coltrane's quartet in the early '60s, as well as his recordings as a leader for Blue Note, but budding fans should investigate his formidable output from the subsequent decade. In 1972, Tyner defected to Orrin Keepnews' Milestone label, where he remained through the early '80s. While at Milestone the pianist recorded no less than 20 albums. Recently released as part of the Keepnews Collection is the ...
Continue ReadingMcCoy Tyner: Fly With The Wind
			
				by Glenn Astarita
				
							
Upon its release on LP in 1976, Fly With the Wind quickly became a significant part of pianist McCoy Tyner's growing canon. Played seemingly endlessly by fans, it's an album rarely cited as a classic from the '70s, since mainstream jazz was on the comeback trail from the difficult '60s. Nonetheless, this 24-bit remaster is one of many reissues emanating from legendary producer Orrin Keepnews' extensive Keepnews Collection.
Along with the original artwork and liners, Keepnews adds several ...
Continue ReadingHubert Laws: Moondance
			
				by John Kelman
				
							
Returning to the soul jazz of his classic CTI recordings, flautist Hubert Laws delivers Moondance , an album of contemporary grooves and smooth sounds that, while a step above most smooth jazz recordings, is for the most part a little too safe, a little too conservative for a capable artist who has always seemed to represent more about potential and less about realization. There’s certainly nothing wrong with Laws’ tone; there are few flautists on the scene ...
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