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About Houston Person

376

Album Review

Houston Person: Social Call

Read "Social Call" reviewed by Jeff Stockton

by Jeff Stockton

Houston Person is the kind of player who sounds a little bit like a lot of people, but in the end most like himself. His tone can be burly and robust, but warm and romantic above all. His tune selection demonstrates impeccable taste and a commitment to the time before people changed the rules. Social Call is the kind of CD that you hear on a good jazz station where the deep-voiced DJs credit each musician in admiration – and ...

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239

Album Review

Houston Person: Trust In Me

Read "Trust In Me" reviewed by Derek Taylor

by Derek Taylor

Tough tenors were a staple diet for many jazz listeners in the 1960s. Gene Ammons, Sonny Stitt, Eddie “Lockjaw” Davis, Stanley Turrentine, Arnett Cobb and so many others (the list could literally fill a ledger pages long) took ample measures of blues and soul-derived emotion and combined them with a no-nonsense emphasizing the tenor horn’s naturally sensual properties. While arguably not as well known, Houston Person belongs among their number. Fielding a sassy, vibrato-flecked tone and a biting, soulful lexicon ...

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291

Album Review

Houston Person: Blue Odyssey

Read "Blue Odyssey" reviewed by Derek Taylor

by Derek Taylor

Much to the chagrin of many critics the late 1960s was a heyday of sorts for Soul Jazz. The number of cats dipping their paws into the sweet nectar of the style would never again reach such denominations as it did during the close of the decade. Person, a saxophonist with both soulful touch and a bluesy sensibility balanced a tough tenor tone with a healthy supplication to the almighty beat. As each of the disc’s tracks generously demonstrates his ...

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395

Album Review

Houston Person: Truth!

Read "Truth!" reviewed by Douglas Payne

by Douglas Payne

Despite his Gene Ammons influence, tenor sax man Houston Person has long had his own deep and soulfully growling tone on tenor, whether grooving on blues and boogaloos or exploring ballads with expert sensitivity. Lately, he seems to concentrate exclusively - and beautifully - on ballads. But on the two sessions coupled for this, his second in Prestige's “Legends of Acid Jazz" series, he explores both sides with equal affection.Between 1966 and 1973, Person made a dozen records ...

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372

Album Review

Houston Person: Island Episode

Read "Island Episode" reviewed by Douglas Payne

by Douglas Payne

There must be very few musicians as frequently recorded as Houston Person who are as misunderstood, maligned or just plain ignored. The jazz crowd thinks he's just a funkster. And the funk lovers write him off as a balladeer or standards-bearer. Of course, he's all this and more. He's also an accomplished be-bopster, a kick-ass bluesmith, a passionate gospel player, a sensitive accompanist and in addition to becoming quite the talent scout and seasoned producer, he's really turned ...

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231

Album Review

Houston Person: Lost & Found

Read "Lost & Found" reviewed by Douglas Payne

by Douglas Payne

There must be very few musicians as frequently recorded as Houston Person who are as misunderstood, maligned or just plain ignored. The jazz crowd thinks he's just a funkster. And the funk lovers write him off as a balladeer or standards-bearer. Of course, he's all this and more. He's also an accomplished be-bopster, a kick-ass bluesmith, a passionate gospel player, a sensitive accompanist and in addition to becoming quite the talent scout and seasoned producer, he's really turned ...

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