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Group Sounds Four & Five: Black & White Raga

by Chris May
So seismic were the eruptions of British pop and rock in the mid 1960s, along with the effusive chronicling which accompanied them, that the parallel fecundity of the country's jazz scene was widely overlooked then and has been largely forgotten since. Contemporary media coverage was practically non-existent except on those occasions when a musician got busted. Even there, pop and rock musicians were the preferred tabloid fodder. So unfair. Hell, British jazzers had invented getting busted back in 1950, when ...
Continue ReadingAlan Wakeman: The Octet Broadcasts 1969 and 1979

by Chris May
Despite a perception fostered by the more breathless media coverage given to the young lions who have emerged on the London scene since the mid 2010s, an identifiably British strand of jazz did not kick off when Shabaka Hutchings' Sons Of Kemet released its debut album in 2013. The groundwork was laid back in the 1950s by musicians such as saxophonist Joe Harriott and pianist Stan Tracey. In the 1970s, two bandleaders who carried the torch for ...
Continue ReadingHenry Lowther: can't believe, won't believe

by Bruce Lindsay
If any jazz ensemble can be said to define the word prolific" it's not Henry Lowther's Still Waters. The band's debut album, ID, appeared in 1997. can't believe, won't believe is its second release, just 21 years later. Good things, as they say, come to those that wait. Bandleader, composer and trumpeter Lowther has been a busy professional musician for over 50 years. He played at Woodstock in 1969 with Keef Hartley, was associated with the bands of ...
Continue ReadingMike Westbrook Concert Band: Marching Song Volumes 1 & 2 Plus Bonus Tracks

by Roger Farbey
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there ...
Continue ReadingJohn Mayall & The Bluesbreakers: 70th Birthday Concert

by Doug Collette
John Mayall’s concerts of recent years can seem somewhat ritualized and to some extent this double CD of a show in Liverpool, England celebrating his 70th (!) is no exception. But the venerable British bluesman, excited himself about the occasion, demonstrates his long-standing ability to meld musicians into cohesive units and thereby coax consummate musicianship from the individuals within the group.
This is pure wizardry—and perhaps there’s no better word for it considering Mayall's longevity as well as the personnel ...
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