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Jazz Articles about Hank Roberts
Pipe Dream: Pipe Dream
by Neri Pollastri
Quattro tra i nostri musicisti più interessanti; un ospite statunitense di enorme valore, duttile e creativo; un progetto condiviso nell'impostazione e nelle composizioni, con tutti i musicisti che ne firmano almeno una; delle sonorità singolari, atipiche fin dagli strumenti messi in gioco e che si intrecciano in modo suggestivo: questo è Pipe Dream, quintetto che avevamo avuto modo di ascoltare lo scorso anno, proprio nei giorni in cui veniva registrato questo disco omonimo, e che ci aveva fortemente colpito (clicca ...
read moreChristy Doran: In The Corner Of The Eye
by Glenn Astarita
Celebrated Irish guitarist Christy Doran's penchant to keep reinventing his musical self is quite evident due to the disparate bands and solo projects he's undertaken for several decades. Whether imparting a jazz fusion spin on Jimi Hendrix with the band Call Me Helium Plays the Music of Jimi Hendrix (Double Moon, 2005) or experimental jazz and improvisational efforts with keyboardist John Wolf Brennan and other notables, Doran's hefty discography yields a kaleidoscopic perspective. The program on In The ...
read moreHank Roberts: Green
by Mark F. Turner
Hank Roberts' Green probably has nothing to do with going green" (the trendy cultural buzzword for being ecologically aware). But it does offer music that has the environmental aura of expansive open plains, ruralesque backdrops, and majestic mountainscapes within a distinct, rustic and avant-garde music setting. A world class cellist who could easily excel in any music genre, Roberts may be more recognizable in improvised music settings, and past performances with seminal artists--drummer Joey Baron, saxophonist Tim Berne ...
read moreBill Frisell: Unspeakable
by John Kelman
Some artists spend an entire lifetime within a narrow genre, honing their skill and working at stretching the boundaries of that style, while others transcend all definitions and labels, creating a music that defies categorization. Such is the case with guitarist Bill Frisell, who over a twenty-five year career has contributed to everything from the Nordic cool of Jan Garbarek's quartet to the downtown edge of John Zorn's Naked City. On his own records he has explored diverse landscapes including ...
read moreAndy Summers: Peggy's Blue Skylight
by Todd S. Jenkins
The former Police guitarist assays the multifaceted works of Charles Mingus on this compelling disc, offering updates of the temperamental bassist’s timeless compositions. Summers previously tackled solid material by Mingus, Wayne Shorter, Thelonious Monk and other jazzmen on his 1997 project The Last Dance of Mr. X, with bassist Tony Levin and drummer Gregg Bissonette. Peggy’s Blue Skylight finds Summers and a wider cast mining Mingus’ legacy more deeply, revealing that these classic tunes still have plenty to offer contemporary ...
read moreDavid Sanborn: Inside
by Ian Nicolson
Since the days when he left his hometown St Louis to play for the Butterfield Blues Band during the sixties Blues boom in California, Sanborn has worked hard at staying top dog among the LA studio sessioneers - and succeeded.He has also commuted effortlessly between sophisticated Jazzpop solo albums stressing his distinctive alto tone and R'n'B roots, and the occasional full-ahead Jazz outing - like 1990's Another Hand, or Upfront a year or two later. This time he's ...
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