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Makaya McCraven: Deciphering the Message
by Angelo Leonardi
Il debutto in casa Blue Note di Makaya McCraven è un omaggio alla storia musicale dell'etichetta, espresso ovviamente in prospettiva personale. Come ha fatto nei suoi dischi recenti—e in particolare nell'omaggio a Gil Scott-Heron (We're New Again, XL Recordings 2020)-il batterista e produttore di Chicago usa creativamente la tecnologia sperimentata dai DJ e produttori di hip-hop e club culture, in prospettiva nuova. Il classico repertorio Blue Note degli anni cinquanta e sessanta suscita l'attenzione delle subculture giovanili ...
read moreMatt Ulery: Delicate Charms
by Neri Pollastri
Nuovo album del contrabbassista chicagoano Matt Ulery, che riunisce in quintetto alcuni suoi frequenti collaboratori per realizzare un lavoro di brillante e articolato jazz moderno. La formazione vede il leader affiancato dal pianista Rob Clearfield e dal batterista Quin Kirchner, mentre la front line è composta dal sax contralto di Greg Ward e dal violino di Zach Brock, che con Ulery ha recentemente pubblicato l'ottimo Wonderment. L'ora abbondante di musica, tutta del contrabbassista, si suddivide in sette brani ...
read moreQuin Kirchner: The Shadows and The Light
by Mark Corroto
Francis Ford Coppola's Vietnam war film, Apocalypse Now, was released in 1979. After sitting for 2 and ½ hours, a viewer might have hoped for theater management to stand at the exits to hand out pamphlets explaining what had just gone down. The conflict had ended 4 years prior, and most war movies, pre- Vietnam, were straight-forward, America-saves-the-world affairs. Goodnight. In between a surf crazed Robert Duval, Playboy Bunnies, and the insane Colonel Kurtz played by Marlon Brando, the movie ...
read moreQuin Kirchner: The Shadows and The Light
by Kevin Press
Add Chicago's Quin Kirchner to the growing list of young jazz artists who've dropped impressive multi-disc releases in recent years. It has become a kind of rite of passage for a new breed of heavy hitters, these double-and triple-album sets. They are not vanity projects. Not the good ones, anyway. They come from deep pools of creativity. The kind a very few young artists have accessible to them in the early prime of their careers. Kirchner's follow-up to ...
read moreMatt Ulery: Delicate Charms
by Jerome Wilson
Bassist Matt Ulery works in several groups with differing approaches to jazz and art music. Delicate Charms features a quintet which mixes the romantic lightness of European classical music, the slippery unpredictability of jazz and the thrusting rhythms of progressive rock through a singular combination of alto sax, violin and piano. The CD's opening track, “Coping" lays out the band's agenda. It starts with a slow, dignified theme played by saxophonist Greg Ward and violinist Zach Brock, over ...
read moreMatt Ulery: Delicate Charms
by Mike Jurkovic
Coming on the heels of 2019's outstanding trio outing Wonderment (Woolgathering Records) with violinist Zach Brock and drummer John Deitemyer, Delicate Charms is a four and a half star recording if ever one was. And it begins with a classical air, an almost chambered hush into which rush those last minute arrivals, each their own player in the “Coping" suite that emblematically ushers in bassist Matt Ulery's particularly distinctive work. Equal parts Charles Mingus ("Taciturn"), Paul Chambers, (his sense of ...
read moreGreg Ward: Nature Work
by Vincenzo Roggero
"Con quel sorriso può dire ciò che vuole" recitava una pubblicità di un noto dentifricio che rese celebre al grande pubblico l'attrice Virna Lisi. Parafrasando potremmo dire, riguardo Nature Work , “Con quella ritmica puoi suonare quello che vuoi" perché Eric Revis al contrabbasso e Jim Black alla batteria formano una coppia formidabile (sorprendentemente al loro primo incontro), perfetta nell'esaltare le evoluzioni del contralto di Greg Ward e del clarinetto basso di Jason Stein. Ma non pensate ...
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