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Markus Rutz: Many Moons
by Ken Hohman
Orson Welles once quipped, “I'm not such a fool as to not take the moon seriously." Journeyman Chicago trumpeter Markus Rutz takes this sentiment to heart with his fine recording, Many Moons, which finds him under the spell of our silvery satellite, leveraging it as a muse for the passage of time and a melancholy reflection of life's varied chapters. Vacillating from judiciously selected covers (Van Morrison's “Moondance"), catchy originals ("Penumbra") and jazz standards ("Blue Moon" and “Blue ...
Continue ReadingDave Stryker: Stryker with Strings Goes to the Movies
by Richard J Salvucci
If this recording were named “Dave Stryker Plays Bernard Hermann" (or Miklós Rózsa or Elmer Bernstein), well that would be just fine. They were all gifted composers who wrote film scores. The consensus would likely be that a musician like Stryker was hardly wasting his time, but Stryker With Strings Goes to the Movies hits the hopelessly middlebrow button. So how seriously anyone decides to take the results is anyone's guess. That would be a pity, ...
Continue ReadingDave Stryker: Stryker with Strings Goes to the Movies
by Jack Bowers
Guitarist Dave Stryker, who is at home in any venue, Goes to the Movies on this ambitious album, wherein his working quartet is greeted by a thirty-piece orchestra with strings and four talented guest artists. There are some gems here--Henry Mancini's “Dreamsville," Rodgers and Hammerstein's “Edelweiss," Ennio Morricone's theme from Cinema Paradiso among them--and a few pleasant surprises as well. Songs in the latter group include “You Only Live Twice," from the James Bond film of that ...
Continue ReadingGeof Bradfield: Colossal Abundance
by Dan Bilawsky
In the summer of 2023, saxophonist Geof Bradfield and trumpeter Chad McCullough launched Calligram Records--a label focusing on the Chicago creative music scene and its branches. The first batch of albums was strong, with showcases for each of the label heads' respective combo projects, trumpeter Russ Johnson's chordless quartet, and newcomer tenorist Arman Sangalang. A wide variety of offerings followed--the global stew of Atlantic Road Trip's first flight, a kicking trio date from guitarist Scott Hesse, a broad-minded gathering with ...
Continue ReadingEthan Philion: Gnosis
by Angelo Leonardi
L'impronta di Charles Mingus torna a caratterizzare il secondo album di Ethan Philion, il contrabbassista di Chicago che ha felicemente debuttato due anni fa con Meditations on Mingus (Sunnyside). Rispetto a quel progetto dedicato alle composizioni politiche del contrabbassista ci sono differenze formali e sostanziali che rendono la nuova opera diversa e ancor più coinvolgente: le composizioni sono tutte di Philion (eccetto la mingusiana “What Love," già riscrittura di uno standard di Cole Porter); il tentet di allora è sostituito ...
Continue ReadingEthan Philion: Gnosis
by John Chacona
When it comes to making memorable entrances, Ethan Philion is on a par with Seinfeld's Kramer. The Chicago bassist burst into the scene with Meditations on Mingus (Sunnyside Records, 2022), an audacious debut recording on which he arranged familiar selections and deep cuts from the towering jazz bassist Charles Mingus. On Gnosis, the forces are smaller and perhaps so is the ambition of Philion's concept. Yet from the very first notes of “The Boot," which begins with a shriek from ...
Continue ReadingBuselli / Wallarab Jazz Orchestra: The Gennett Suite
by Dan McClenaghan
This is where music for mass consumption--recorded music--started, in Richmond, Indiana, in the 1920s, in a piano factory by the railroad tracks in a glacier-carved gorge. Established in 1887, in the beginning Starr Pianos' bread and butter was pianos, but they branched out to selling other instruments and eventually photographs and records--their own records, recorded in the piano factory, taking breaks in the process when a train came by. At first, they called their recording side of the business Starr ...
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