Jazz Articles about Gene Lake

Dave Douglas: Keystone Live in Sweden

by John Kelman
October 4, 2006

In the early days of silent film, scores were played live, most often by a single musician--simplifying the response to the on-screen activities. In recent years artists like guitarist Bill Frisell and clarinetist Louis Sclavis have upped the ante by combining composed music with improvisation on silent film scores for small ensembles, making the coordination of sight and sound much more challenging.

Trumpeter Dave Douglas' Keystone (Greenleaf, 2005) is another contemporary entry, a two-disc release including a DVD of the ...

Dave Douglas: Keystone

by AAJ Italy Staff
February 2, 2006

Le strategie sonore di Dave Douglas si semplificano in questi anni recenti, nella dialettica tra quintetto acustico e gruppo elettrico, gruppi eccellenti curati con particolare meticolosita'. Escono ora per la Greenleaf, diretta in proprio, due CD in contemporanea: questo Keystone, ed un “live" del vecchio quintetto col repertorio di The Infinite. Keystone e' pensato come sonorizzazione di un'opera del regista Roscoe Arbuckle, grande autore dell'epoca del muto, ingiustamente sottovalutato anche alla luce di una condanna penale che lo escluse da ...

Dave Douglas: Keystone

by Michael McCaw
November 7, 2005

Keystone is an incredibly mature-sounding album from Dave Douglas--not because his work up till now has not been complete, but because he has fully integrated the technology and mode of the music first espoused by Miles Davis. Yet he has moved beyond that reference point and created a group sound that is thoroughly modern and doesn't need to push itself to musical extremes to demonstrate mastery.Dedicated to and inspired by early film comic Fatty Arbuckle, Keystone uses the ...

Dave Douglas: Keystone

by John Kelman
September 14, 2005

Paradoxically consistent yet somehow unpredictable, trumpeter Dave Douglas is an artistic rarity. Even when he records a followup to an existing project, you know it's going to be an evolution which throws in some surprises. Last year's Strange Liberation may have been a sequel to 2002's The Infinite, but the addition of Bill Frisell inspired new tactics, both compositionally and in performance.

Douglas' new disc, Keystone, has some precedence in his electronica-informed 2003 release, Freak In. Like that record, however, ...

David Fiuczynski & Rufus Cappadocia: Kif

by AAJ Staff
April 2, 2003

The country of Morocco is respected throughout Europe for, among other things, an estimated 30% of the continent's marijuana imports. The superior raw material called Kif is found there in the mountains of Rif. In Arabic, it's spelled كيف. Okay, got that? Enough said.

But don't go into Kif, the record, thinking it's some sort of stoner jam-band excursion. Quite the opposite: guitarist David Fiuczynski and cellist Rufus Cappadocia apply a razor edge to these pieces, asserting a ...

Gene Lake: Steppin' Up

by Phil DiPietro
March 1, 2001

With his self-produced debut , “Steppin Up", Gene lake does just that-putting himself out on the solo artist limb, after spending the 90's turning in nothing short of exemplary sideman (there's that word again) work.

Let's get the “sideman" credits straight, shall we? First off, I contend that anyone holding down the drum chair in Steve Coleman's band should automatically receive the cover of Modern Drummer once a year (in fact, Gene is appearing at this year's MD festival) and ...

David Sanborn: Inside

by Ian Nicolson
May 1, 1999

Since the days when he left his hometown St Louis to play for the Butterfield Blues Band during the sixties Blues boom in California, Sanborn has worked hard at staying top dog among the LA studio sessioneers - and succeeded.He has also commuted effortlessly between sophisticated Jazzpop solo albums stressing his distinctive alto tone and R'n'B roots, and the occasional full-ahead Jazz outing - like 1990's Another Hand, or Upfront a year or two later. This time he's ...