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Albert Ayler Trio: Prophecy Live, First Visit
by Glenn Astarita
This 1964 New York City recording, now remastered and released on the Ezzthetics label, captures Albert Ayler with Gary Peacock and Sunny Murray at a crucial juncture in the saxophonist's development. This performance at the Cellar Cafe marks an early, vital snapshot of a trio that would become foundational to the free jazz movement. It is a chance to hear Ayler's radical sonic explorations in their initial stages before his sound fully solidified into the intensely spiritual and often ecstatic ...
Continue ReadingAlbert Ayler Trio: Prophecy Live, First Visit
by Mark Corroto
No jazz artist has been as polarizing as Albert Ayler. Listeners either revere him as a prophet or dismiss him as a charlatan. To some, his music is a divine revelation; to others, an indecipherable cacophony. But while Ayler's music was undeniably radical, he was no insurrectionist-- he was simply a true original. His sound was Ayler being Ayler. Born in Cleveland, Ohio, in 1936, Ayler's life ended in mystery in 1970 when his body was found floating ...
Continue ReadingDon Ellis: How Time Passes to Essence Revisited
by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di Essence, risalente al 1962. Il trombettista losangelino aveva appena compiuto 26 anni e registrava il primo album accompagnato dal pianista Jaki Byard, ...
Continue ReadingKeith Jarrett: The Old Country: More from the Deer Head Inn
by Alberto Bazzurro
Disco come sempre di gran classe, questo, inciso il 16 settembre 1992 al Deer Head Inn di Delaware Water Gap, Pennsylvania, con Paul Motian in luogo del “canonico" Jack DeJohnette, ma con immutate le stimmate del già celeberrimo (nonché celebratissimo) standard trio di un Keith Jarrett all'epoca quarantasettenne e nel pieno della sua maturità tecnico-espressiva. Il materiale, che va a integrare quanto già edito ormai quasi trentun anni fa in At the Deer Head Inn (il sottotitolo ...
Continue ReadingKeith Jarrett: The Old Country: More from the Deer Head Inn
by Mario Calvitti
Già da alcuni anni l'attività pianistica di Keith Jarrett si è forzatamente interrotta per motivi legati alle condizioni di salute dell'artista, colpito da ictus, ma la sua musica continua a venire pubblicata con novità discografiche provenienti dagli archivi ECM, alternando le esecuzioni jazzistiche a quelle classiche con cadenza più o meno annuale. Questo nuovo album rappresenta un'aggiunta importante alla sua discografia, dando dopo 30 anni un seguito all'album At the Deer Head Inn con la pubblicazione di otto brani inediti ...
Continue ReadingKeith Jarrett: The Old Country: More from the Deer Head Inn
by Jack Kenny
Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you can hear “what jazz is all about." Major musicians accompanied him: bassist Gary Peacock, Paul Motian, a master drummer he had not played with ...
Continue ReadingKeith Jarrett: The Old Country: More from the Deer Head Inn
by Mike Jurkovic
Ahhh... the Standards Trio returns to the Poconos, or more specifically, the century and a half old Deer Head Inn, the site of the great At the Deer Head Inn (ECM,1994), and rouses all spirits with The Old Country: More from the Deer Head Inn.Celebrating a set of circumstances--Keith Jarrett was sixteen when he first played at the Deer Head Inn and at the time of this renowned gig it had been sixteen years since last jamming with ...
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