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Jazz Articles about Frank Lacy

25
Album Review

Roy Hargrove's Crisol: Grande-Terre

Read "Grande-Terre" reviewed by Chris May


Increasingly and with growing momentum, right up until he died at the young age of 55 in 2018, Roy Hargrove was a standard bearer for a new kind of African American jazz. The recipe embraced a variety of styles--jazz, Afro-Cuban music, funk, hip hop and soul--and it influenced a generation of musicians in jazz and beyond. But Hargrove never abandoned jazz, the foundation stone of his style. Instead he regarded other genres as part of a rainbow ...

14
Album Review

Emmet Cohen: Vibe Provider

Read "Vibe Provider" reviewed by Mike Jurkovic


All round shaman, musical advocate, and positive vibe provider, Nigerian-born Michael Olufunmilola (Funmi) Ononaiye (1968-2023) was known and beloved by everyone in the artistic and social circles of Manhattan's music scene. He was an A&R rep at Atlantic Records. He was a DJ, percussionist, and chief programmer at Jazz at Lincoln Center. He had a deep effect on everyone. That effect can be viscerally felt on the way-too-good, Vibe Provider. It sails. It sweeps in on a hop ...

3
Album Review

Frank Lacy & the Smalls Legacy Band: Live at Smalls

Read "Live at Smalls" reviewed by Angelo Leonardi


Da un paio d'anni il trombonista Frank Lacy guida un sestetto di giovani emergenti che ora presenta in questo scintillante compact live, tratto da due serate (16 e 17 ottobre 2012) allo Smalls Jazz Club di New York. Ku-umba mette in evidenza la lunga esperienza di hard-bopper svolta nei gruppi di McCoy Tyner, Bobby Watson e Art Blakey (dei cui Jazz Messengers è stato direttore musicale) e il risultato è superbo. La musica non ha niente da ...

2
Album Review

Frank Lacy: That Which Is Planted

Read "That Which Is Planted" reviewed by Mark Corroto


The real reason the revolution will not be televised (with apologies to Gil Scott Heron) is that the sound of the revolution is free jazz. While those street fighting men are satisfied to throw rock music up against the wall, the real uprising is music of bands like 1032K. With roots in the streets and lofts of the 1960s and 70s, trombonist/trumpeter Ku-umba Frank Lacy, bassist Kevin Ray, and drummer Andrew Drury interpret the sounds of Sam Rivers, Roswell Rudd, ...


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