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Jazz Articles about Frank Basile

5
Album Review

Frank Basile: 2 Part Solution

Read "2 Part Solution" reviewed by Pierre Giroux


One might have expected there would be a plethora of baritone sax / tenor sax recordings following the standout 1959 Verve release Gerry Mulligan Meets Ben Webster. Not so, although the two principals were involved in a follow-up album in 1960 for HiFi Jazz entitled Jimmy Witherspoon With Mulligan and Webster at The Renaissance. The Frank Basile / Sam Dillon Quintet recording 2 Part Solution is a bit of a throwback to this earlier period, but is unlikely to be ...

Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by Angelo Leonardi


Questo disco ci è giunto con un po' di ritardo ma va assolutamente segnalato. È infatti uno dei migliori dischi dell'anno nonchè un omaggio al genio orchestrale di Bob Brookmeyer. Forse non tutti sanno che lo storico trombonista, partner negli anni cinquanta di Stan Getz, Gerry Mulligan e Jimmy Giuffre, è stato uno di massimi orchestratori moderni: nel 1966 partecipò alla fondazione della Thad Jones-Mel Lewis Orchestra, scrivendo decine di partiture, e nel 1990 ne divenne il direttore, quando la ...

60
Album Review

Buddy Rich: Birdland

Read "Birdland" reviewed by Glenn Astarita


There's usually a reason why previously unreleased material was never initially offered for consumer consumption, whether it's due to subpar sound quality, less than adequate material or blasé musicians' outtakes and so on. However, these tracks by the Buddy Rich Killer Force band were recorded at various venues through the years when saxophonist Alan Gauvin--who also penned the album notes --was in the band and recorded these performances for posterity and not initially intended to be sold. Gauvin doesn't recall ...

8
Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by John Ephland


There's a richness, a depth, a density to his varied charts. And the soloists and ensemble passages inside those charts! Such has always been the case with the Vanguard Jazz Orchestra, then, and now. For real, gliding from the spirit of Thad Jones and Mel Lewis, this edition of the VJO now embraces another one of its own: trombonist/composer/arranger/pianist Bob Brookmeyer, with Over Time: Music Of Bob Brookmeyer. And what different sound comes from this grand aggregate of ...

5
Album Review

Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer

Read "OverTime: Music of Bob Brookmeyer" reviewed by Jack Bowers


While it may be hard to believe, the reality is that the Vanguard Jazz Orchestra is nearing the end of its first half-century together. Formed in 1966 as the Thad Jones -Mel Lewis Orchestra, it continued on after Jones' departure as the Mel Lewis Orchestra, then as the Vanguard Jazz Orchestra after Lewis' death in February 1990. During many of those years, the ensemble was enriched by the compositions and arrangements of the renowned Bob Brookmeyer (1929-2011), a master craftsman ...

15
Extended Analysis

The Vanguard Jazz Orchestra: OverTime: Music Of Bob Brookmeyer

Read "The Vanguard Jazz Orchestra: OverTime: Music Of Bob Brookmeyer" reviewed by Dan Bilawsky


Trumpeter Thad Jones and drummer extraordinaire Mel Lewis may have given birth to the band that's now known as The Vanguard Jazz Orchestra, but the late Bob Brookmeyer gave the group artistic independence at a time when it was sorely needed. When Jones left the fold and departed for Europe at the tail end of the '70s, things could've gone a very different way for this storied outfit: it could've simply carried on as a pretty good ...

196
Album Review

Frank Basile Quintet: Thursday the 12th

Read "Thursday the 12th" reviewed by Michael J. West


Even the neo-traditionalists, the “neocons, have evolved their idiom in the past twenty-five years; that's what makes Thursday the 12th--Frank Basile's debut album--so baffling. Nothing about it, from the arrangements, to the phrasing, to Basile's haircut on the cover, even suggests that it was recorded after about 1961. That's not to say it's bad--in fact it's quite good--just odd.

Basile, a baritone saxophonist and accomplished journeyman, ups the weirdness factor in making music that isn't just straight-ahead, fundamentalist hard-bop, but ...


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