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Dayna Stephens: Monk'D
by Angelo Leonardi
Da un decennio Dayna Stephens s'è imposto tra i migliori sassofonisti della sua generazione ma pochi lo conoscono come contrabbassista, ruolo che ha assunto saltuariamente con Roy Hargrove, Billy Hart, Joshua Redman e altri. La scelta dello strumento a corde in questo suo progetto dedicato alla musica di Monk nasce dalla volontà di esplorare le caratteristiche ritmiche e metriche nelle composizioni del pianista di Rocky Mount, lasciando ad un altro collega (in questo caso Stephen Riley) il compito ...
Continue ReadingAlain Metrailler: Heights Prospection
by Dan McClenaghan
Who is going to be the next Miles Davis? Or the next John Coltrane? With their two most lauded albums--Kind Of Blue (Columbia, 1959) and A Love Supreme (Impulse, 1966, respectively, the trumpeter and saxophonist (again, respectively) set the bar for top-tier, post-bop jazz ensemble outings. A bar so high it may never be achieved again. But then some strive for that high level of artistic expression. Polish trumpeter Tomasz Stanko, with a series of albums on ECM Records, gave ...
Continue ReadingBram De Looze, Felix Henkelhausen, Eric McPherson: Vice Versa II - Rebounce
by Tyran Grillo
Belgian pianist Bram De Looze's Vice Versa project is one that gradually becomes visible, the way a constellation appears only after your eyes adjust to the night. The music feels as if it had always been orbiting somewhere just beyond earshot, waiting for the right trio of creatives to call it into being. At the center of it all, De Looze's playing carries a sensitivity to hidden paths. Reaching outward across cities and oceans, he did not recruit ...
Continue ReadingOtherlands Trio with Stephan Crump, Darius Jones, Eric McPherson: Star Mountain
by Don Phipps
The Otherlands Trio's Star Mountain presents five cerebral improvisations that unfold along abstract lines, utilizing staggered syncopation that seamlessly blends with nuanced passages, both soft and loud. The album feels at times like it will break into something more freewheeling, but the musicians instead choose patient moves that deliver creative phrases filled with unexpected twists and turns. This is the first outing by the trio comprised of Stephan Crump (bass), Darius Jones (alto sax) and Eric McPherson (drums), ...
Continue ReadingDayna Stephens: Monk'D
by Dan McClenaghan
A jazz artist stepping into the studio to record some Thelonious Monk can approach the task from different angles. They can go all in and make a statement with solely Monk tunes. Pianist Ran Blake's Epistrophy (Soul Note, 1991) is one example of this approach. Or the artist can pick one of their favorite Monk classics (or two or three) and present them alongside a batch of originals and/or tunes by other artists to create a set list. Almost everybody ...
Continue ReadingRuss Lossing: Proximity Alert
by Mark Corroto
Is Russ Lossing's Proximity Alert more like football or baseball? The analogy works like this: Baseball is fathers and sons tossing a ball in the backyard, measured and casual; Football is a scrimmage, brothers running, grappling and tackling in the same yard. Throughout his career, Lossing has captained several exceptional trios. With bassist Ed Schuller, he had the rare honor of performing and recording alongside the legendary drummer Paul Motian. In the years that followed, he formed groups ...
Continue ReadingHillai Govreen: Every Other Now
by Kyle Simpler
Many musicians are content to write and perform songs, while others continuously explore deeper territory. Clarinetist, saxophonist, and composer Hillai Govreen belongs firmly to the latter camp. At heart, she is a storyteller, and with Every Other Now, her debut solo release, she creates music that invites not only listening but also imagination. Govreen first drew notice with Allusions (Starr Street, 2021), a duo with pianist Nitsan Kolko, where her sensitivity and command of dialogue came to the ...
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