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Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia
by Marc Cohn
Tenor saxophonist Eric Alexander appeared in Baton Rouge Tuesday, November 19th @ the Manship Theatre, downtown Baton Rouge. So we warmed you up for his visit with his trio and quartet work, as well as a sideman with Mike LeDonne on the B-3 and pianist Junior Mance (knee deep in the blues). There's also our last centennial feature for Lennie Tristano with Lee Konitz from 1949, a bit of Ellingtonia (new Bill Frisell and Rodney Whitaker as well as Duke ...
Continue ReadingEric Alexander: Leap of Faith
by Friedrich Kunzmann
Acclaimed saxophonist Eric Alexander needs no special introduction. His pioneering work in the jazz world has been an inspiration to many of his peers since the early 90s. On this special chordless endeavour—featuring the chops of Doug Weiss on bass and drummer Jonathan Blake whose own recording in a very similar chordless constellation was likewise recently documented on the Giant Steps Arts label to high critical praise—Alexander makes a giant leap into somewhat uncharted territory for him and is rewarded ...
Continue ReadingEric Alexander: Leap of Faith
by Jack Bowers
Renowned tenor saxophonist Eric Alexander's Leap of Faith stems in part from the decision (hesitantly made) to perform in a trio setting without piano—hardly an uncommon arrangement these days but one that Alexander, a shining light on the New York music scene for more than two decades, has rarely explored, either in live gigs or on more than forty-plus albums as leader of his own groups. Also, Leap of Faith was recorded live (no safety net) at New York City's ...
Continue ReadingHarold Mabern: The Iron Man: Live At Smoke
by Mike Jurkovic
Hard-bopping pianist Harold Mabern may have made his recording debut in 1959 with drummer Walter Perkins' quintet and led his first session in 1968 for Blue Note on the soulful A Few Miles From Memphis but here he is, at 82, playing with straight-ahead, youthful joie de vivre on the story telling, life affirming, two-disc set The Iron Man: Live at Smoke. Working as hard as ever with his long standing trio of tenor saxophonist and former student ...
Continue ReadingEric Alexander: Song of No Regrets
by Peter J. Hoetjes
On Song of No Regrets, tenor saxophonist Eric Alexander decides to keep things fresh with a Latin beat and a couple unexpected guests. Having worked so prolifically for so long (he's got more than 160 recordings to his name both solo and as a sideman), it's inevitable that Alexander would have more than a few preferred musicians to round out his rhythm section. Rather than sticking with Harold Mabern, who has been his pianist of choice during eight of his ...
Continue ReadingEric Alexander: Song of No Regrets
by Jack Bowers
Eric Alexander, who has been wielding as impressive a tenor saxophone as anyone on the scene for more than two decades, returns to the studio for what seems the umpteenth time with an abundant stockpile of point-blank pleasures on Song of No Regrets, an essentially Latin-grooved session that leaves room on the first two numbers for the superlative trumpet work of guest artist Jon Faddis. One of Alexander's strengths, and perhaps the one that has caused him ...
Continue ReadingJohn Swana: Bright Moments
by Victor L. Schermer
Simply put, this album is so listenable and stood out so noticeably among the many CDs I've been spinning for myself recently, that I thought All About Jazz readers ought to know about it. I first heard then trumpeter John Swana a decade or more ago when he jammed at pianist Tom Lawton's memorable long-term gig with the late great bassist Al Stauffer at the Four Seasons Hotel in Philadelphia. I was awestruck by Swana's clarity, sustained non-vibrato tone, and ...
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