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Jazz Articles about Emmet Cohen

9
Album Review

Veronica Swift: This Bitter Earth

Read "This Bitter Earth" reviewed by C. Michael Bailey


It seems jazz vocalist Veronica Swift has been in the music business all of her life, and for good reason: There is the well documented fact that she is the daughter of jazz pianist Hod O'Brien and singer Stephanie Nakasian, and she debuted on record at nine years old with Veronica's House of Jazz (SNOB, 2004). Since that time, Swift has recorded in a variety of settings, including on the uniformly excellent The Birdland Big Band Live (CD Baby, 2018), ...

8
Album Review

Emmet Cohen: Future Stride

Read "Future Stride" reviewed by Mike Jurkovic


As proven onstage as well as on such percolating, locomotive recordings as 2018's self released Dirty In Detroit, Masters Legacy Series Vol 1 with Jimmy Cobb (Cellar Live, 2016), 2018's Masters Legacy Series Vol 2 with Ron Carter (Cellar Live), and his regular Monday Night Quarantine Jams on Facebook, pianist Emmet Cohen makes his music with an unabashed, heart-on-you-sleeve exuberance and love for the future as past and vice versa. So it should come as no surprise to anyone that ...

6
Album Review

Emmet Cohen: Masters Legacy Series Volume 4: Emmet Cohen Featuring George Coleman

Read "Masters Legacy Series Volume 4: Emmet Cohen Featuring George Coleman" reviewed by Mike Jurkovic


So here we are, nearly knocking on the door to February 2020, and we're listening to the second of Emmet Cohen's two entrancing, late 2019 releases: Masters Legacy Series Vol. 4 Emmet Cohen featuring George Coleman--a good harbinger for the new year. And heaven knows we could use a boatload of good harbingers these exhausting days. Pianist/prodigy Emmet Cohen loves history. Jazz history especially. Sax legend George Coleman's ever reliable and responsive affinity to the soul of things ...

9
Album Review

Emmet Cohen: Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath

Read "Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath" reviewed by Mike Jurkovic


Set aside for the moment that the combined age of the elders here is 174 years. Emmet Cohen's Masters Legacy Series Volume 3 Featuring Benny Golson & Albert “Tootie" Heath is not only a mouthful of a title, but also irascibly and irrepressibly old school. It's as if Cohen, in his youthful (29) zeal and zest to translate what the masters can still impart, not only wanted to capture a generational performance but the very air these two statesmen inhabit. ...

6
Album Review

Troy Roberts: Days Like These

Read "Days Like These" reviewed by Dan Bilawsky


Days like these, when you have the opportunity to hear Troy Roberts fronting an all-star organ group, are pretty nice. Roberts--one of the most underappreciated tenor saxophonists on the scene, a mainstay in organ kingpin Joey DeFrancesco's band and an erstwhile sideman for drummer Jeff “Tain" Watts--shows a particular affinity for this format. A complete artist with a muscular yet fluid sound, soulful bearing and unerringly sensitive ears, it's like he was made for this music. Bringing ...

47
Radio & Podcasts

Blue Note 50ths, American Pianists Association Winners & More

Read "Blue Note 50ths, American Pianists Association Winners & More" reviewed by Marc Cohn


A light schedule of Blue Note 50th anniversaries this month: Hank Mobley's The Flip. But we missed a Thad Jones, Mel Lewis Orchestra recording (originally on Solid State but reissued on Blue Note) last month due to an error in our working discography. So, we feature album that as well. To celebrate Blue Note's 80th anniversary, we feature BN-11 from the Pete Johnson Blues Trio. The American Pianists Association held their jazz competition this spring, and we have ...

1
Live Review

The Emmet Cohen Trio at The Jazz Corner

Read "The Emmet Cohen Trio at The Jazz Corner" reviewed by Martin McFie


The Emmet Cohen Trio The Jazz Corner Hilton Head Island February 1-2, 2019 The Emmet Cohen Trio have been together for five years and it shows. Dynamic bassist Russell Hall from Kingston, Jamaica hummed along to the bass and ebullient, dramatic drummer Kyle Poole made up the trio. They opened near to the start of jazz with a Scott Joplin tune “Original Rags," the first of his music to be copyrighted in 1899. ...


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