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Jazz Articles about Elvin Jones


About Elvin Jones

1,135

Interview

Elvin Jones: Drumming Icon is Still Cooking

Read "Elvin Jones: Drumming Icon is Still Cooking" reviewed by R.J. DeLuke


The name Elvin Jones conjures up a distinct image right away. You can see him seated behind his drum set, slightly hunched, arms awhirl; cranking out a firestorm of rhythms highlighted by crackling accents that fall at unexpected moments, giving the music just the right propulsion. He's been one of jazz music's preeminent drummers for years and years, playing with all the greats. For decades now, he's led his own bands, as well as graced the albums of ...

440

Album Review

Bill Frisell with Dave Holland and Elvin Jones: Bill Frisell with Dave Holland and Elvin Jones

Read "Bill Frisell with Dave Holland and Elvin Jones" reviewed by Glenn Astarita


The mere fact that legendary drummer, Elvin Jones, and bassist Dave Holland are backing guitarist, Bill Frisell makes for an interesting proposition. However, those familiar with Jones and Holland should be aware of their respective faculties as artists who have performed with the creme de al creme of jazz, as their resumes and legacies are well documented. With this release, the rhythm sections' charter is seemingly fabricated upon delving into the leader's musical mindset, and highly individualistic style.

On the ...

288

Album Review

Elvin Jones: The Complete Blue Note Elvin Jones Sessions

Read "The Complete Blue Note Elvin Jones Sessions" reviewed by C. Andrew Hovan


Although Mosaic’s methods for rediscovering neglected artists have always been informed, this package of diverse material seems to be especially constructive in giving us a better picture of one of the jazz world’s most innovative and important artists of the 20th century. While Jones had made a few of his own recordings as a leader during his tenure with the John Coltrane Quartet (most notably Elvin! for Riverside and Illumination! for Impulse), it wasn’t until he broke rank with the ...

233

Album Review

Elvin Jones: The Complete Blue Note Elvin Jones Sessions

Read "The Complete Blue Note Elvin Jones Sessions" reviewed by C. Andrew Hovan


Although Mosaic's methods for rediscovering neglected artists have always been informed, this package of diverse material seems to be especially constructive in giving us a better picture of one of the jazz world's most innovative and important artists of the 20th century. While Jones had made a few of his own recordings as a leader during his tenure with the John Coltrane Quartet (most notably Elvin! for Riverside and Illumination! for Impulse), it wasn't until he broke rank with the ...

352

Album Review

Wayne Shorter (Blue Note The Rudy Van Gelder Edition: Speak No Evil / JuJu

Read "Speak No Evil / JuJu" reviewed by C. Michael Bailey


RVG Again. Will Smith and Chris Hovan wrote two very capable articles about the Blue Note RVG Editions. Their articles were very informative and they stimulated me to check out some “new” old music. I decided to start with the initial RVG releases by Wayne Shorter.

Déjà Vu All Over Again The nice thing about both jazz and classical music is that there is always something even the most astute listener has missed in his or her listening experience. Wayne ...

213

Album Review

Jimmy Forrest: Black Forrest

Read "Black Forrest" reviewed by Jack Bowers


Tenor saxophonist Jimmy Forrest, best known and perhaps best remembered as composer of the huge R&B smash, “Night Train,” was also an underrated swing–based player out of the Gene Ammons/Lockjaw Davis/Sonny Stitt school whose ample talents are showcased on the quintet date Black Forrest, recorded in 1959 with the same cast (and a couple of the same songs) that appeared on an earlier Delmark release, All the Gin Is Gone (Delmark 404). As it turns out, the tunes that comprise ...

493

Album Review

John Coltrane: A Love Supreme

Read "A Love Supreme" reviewed by Robert Spencer


Although this disc is relatively new in its packaging and 20-bit format, it enjoyed a popular run previously as one of the first Impulse CD reissues. The latest re-release is an attractive treatment: the original (first-rate) cover art is restored, the sound is markedly better, and John Coltrane's liner letter and poem are in a readable type size. So if there is any jazz fan on the planet who hasn't yet heard this one, now's the time. This is, of ...


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