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Vince Guaraldi: It's The Easter Beagle, Charlie Brown!
by Joshua Weiner
The series of complete Peanuts television special soundtracks put out by Lee Mendelson Film Productions continues to thrill fans of Vince Guaraldi, Charlie Brown, Snoopy and all the gang. After the highly successful Christmas, Halloween, and Thanksgiving animated specials, the stage was set for 1974's It's The Easter Beagle, Charlie Brown! Recorded over two days at Wally Heider Studios in Guaraldi's hometown of San Francisco, the soundtrack--resurrected for the first time from the 16-track master tape and freshly mixed--features the ...
Continue ReadingBill Evans: You Must Believe In Spring (Hybrid SACD)
by Doug Collette
The quietude with which “B Minor Waltz (For Ellaine)" opens You Must Believe In Spring belies the hearty homage this release constitutes in recognition of the title's forty-fifth anniversary. As a means of righteous and deserving tribute to his seventieth studio album, the late Bill Evans' debut for the Warner Bros. label is enhanced in a number of ways. First and foremost is the sonic upgrade for hybrid-SACD (as well as the vinyl LP configuration). Using the Plangent ...
Continue ReadingThe Bill Evans Trio: On A Monday Evening
by Stefano Merighi
Ricordo interviste in cui Bill Evans puntualizzava l'ossessione per l'esercizio, un'insicurezza stabile, che lo faceva provare in continuazione anche il minimo dettaglio. Sembra grottesco, all'ascolto soltanto del prologo di “Sugar Plum," dove la fraseologia evansiana sgorga come acqua di fonte e dove si intuirebbe un'innata facilità per l'assoluta padronanza strumentale. Ma evidentemente c'era un lavoro febbrile e anche un po' angosciato dietro quel tocco scultoreo, quei legami tentacolari tra linea melodica e spezzature ritmiche, quel preludiare o rapsodiare che fin ...
Continue ReadingThe Bill Evans Trio: On A Monday Evening
by Dan McClenaghan
Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village Vanguard (Riverside Records, 1961), a trio outing featuring bassist Scott LaFaro and drummer Paul Motian. The interactivity and equality of input of that particular ...
Continue ReadingAntonio Zambrini - Eliot Zigmund - Carmelo Leotta: Long Distance
by AAJ Italy Staff
Meno in vista di quanto meriterebbe, Antonio Zambrini è uno dei migliori pianisti italiani e lo ha dimostrato ampiamente nell'ultimo decennio, con dischi a suo nome (Quartetto, Due Colori, Musica) e felici collaborazioni col quartetto di Ron Horton (It's a Gadget World, Abeat 2009) e con Lee Konitz (Comencini, Standardslee, Alone and Together, Philology 2007). Questo trio s'è formato in occasione dei concerti italiani di Eliot Zigmund del novembre 2011, alcuni dei quali dati con questa formazione. Vista la particolare ...
Continue ReadingEliot Zigmund
by David A. Orthmann
Recently I've been listening to Breeze, drummer Eliot Zigmund's 2008 release on the SteepleChase label. In part my interest in the recording stems from catching a couple of Zigmund's sideman gigs at The Turning Point Café in Piermont, NY. On those occasions I couldn't get a handle on all of the things that felt right about his playing. And describing some of the highlights in a live performance review didn't come close to capturing the essence of his style.
Continue ReadingBill Evans: You Must Believe In Spring
by Chris M. Slawecki
After more than a decade as one of the pianist's most sympathetic bassists, this was Eddie Gomez's last recording with Evans, a trio set with drummer Eliot Zigmund recorded in 1977 and released after Evans' death in 1980.Evans never stopped searching for new ideas. He might be faulted for repeatedly looking for them in the same tunes, but this program is quite varied, including Johnny Mandel's “Suicide is Painless" (the theme from M.A.S.H. ); Michel Legrand's title track; ...
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