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4
Album Review

Edward Simon: Sorrows & Triumphs

Read "Sorrows & Triumphs" reviewed by Friedrich Kunzmann


Following in the footsteps of the critically acclaimed eponymous debut record (Red Records) and subsequent sophomore outing Océanos (Criss Cross Records), in 2007, Edward Simon has now once more gathered together the power quartet Afinada, featuring Brian Blade on drums, David Binney on sax and bassist Scott Colley. With the addition of the Imani Winds chamber quintet and the striking presence of guests Gretchen Parlato on vocals and guitarist Adam Rogers Sorrows & Triumphs proves one of the most intricate ...

7
Album Review

Edward Simon: Sorrows & Triumphs

Read "Sorrows & Triumphs" reviewed by Jerome Wilson


This project by pianist Edward Simon blends together many diverse elements. The music combines classical formalism with jazz energy and is performed by a combination of Simon's jazz quartet, Afinidad, and the woodwind quintet, Imani Winds, with some guest musicians added in. The compositions themselves are movements of two separate suites written by Simon, “Sorrows And Triumphs," inspired by Buddhist philosophy, and “House Of Numbers," inspired by numerology, rearranged into a cohesive set of music. The end result of all ...

4
Album Review

Edward Simon with Afinidad & Imani Winds: Sorrows & Triumphs

Read "Sorrows & Triumphs" reviewed by Dan Bilawsky


Pianist Edward Simon's sensitivity, eloquence, strength, and intelligence stand in full view throughout this gorgeous collection of material plucked from two different suites. “Sorrows and Triumphs," the older of the two, which draws inspiration from Simon's study of Buddhism, first surfaced in 2009. “House of Numbers," taking cues from numerology and weaving cross-cultural implications into its fabric, saw its debut in 2016. Here, four numbers from the latter, three from the former, and a wondrously flowing opener originally penned for ...

Album Review

Edward Simon: Latin American Songbook

Read "Latin American Songbook" reviewed by Angelo Leonardi


Dall'attuale residenza di San Francisco, Edward Simon rammenta le musiche che hanno segnato la sua infanzia. “Uno dei vantaggi di essere cresciuto in Venezuela--scrive nelle note del CD--sono stati i differenti influssi musicali provenienti da tutte le parti del continente americano e dai Caraibi. C'è tanta grande musica esistente in questa parte del mondo che si potrebbe facilmente dedicare un album ad ogni Paese e senza essere all'altezza di rendergli giustizia." Per questa ragione il pianista ha deciso di scegliere ...

2
Album Review

Edward Simon: Venezuelan Suite

Read "Venezuelan Suite" reviewed by Angelo Leonardi


"Venezuelan Suite--ha detto Edward Simon--è nata dal desiderio di consolidare la mia eredità culturale, l'amore per la musica classica e la mia esperienza di musicista jazz." L'opera documenta anche il debutto discografico dell'Ensemble Venezuela, formazione fondata dieci anni fa dal pianista venezuelano che riunisce alcuni dei massimi strumentisti di quella nazione, il più famoso dei quali è l'arpista Edmar Castaneda. Nata grazie a una sovvenzione di “Chamber Music America," Venezuelan Suite svela le alte doti di compositore ...

7
Album Review

Edward Simon: Venezuelan Suite

Read "Venezuelan Suite" reviewed by Dan Bilawsky


Venezuelan Suite is pianist Edward Simon's love letter to his homeland, but that's not all it is; it's the perfect confluence of Venezuelan ideals, jazz language and chamber-esque sophistication. In short, it's a masterpiece. While every country has its musical adherents in American jazz circles, some are sorely underrepresented. That's why it's so vitally important when somebody like saxophonist Miguel Zenon comes along and bridges the gap between jazz and the music of Puerto Rico, or when ...

4
Extended Analysis

Edward Simon Trio: Live in New York at Jazz Standard

Read "Edward Simon Trio: Live in New York at Jazz Standard" reviewed by John Kelman


Some artists maintain a busy release schedule, putting out an album a year--sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently--while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name--which automatically discounts 2010's independently released but undeniably fine Danny Boy--about once every three years on labels ranging from The Netherlands' Criss Cross to Italy's Cam Jazz. Live in New ...


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