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Bob Albanese: Time Remembered
by Dan Bilawsky
Memory is one persistent traveler. Whether we know it or not, memories always follow us on our journeys, influence our choice of direction, and work their way into our everyday encounters to some extent. Nobody is completely immune to the charms and ills carried in memories, but some are more susceptible than others. In fact, some readily choose to be susceptible, letting their memories take root in their work and allowing art to absorb and, subsequently, radiate experience. Such is ...
Continue ReadingBob Albanese: Time Remembered
by Mark Corroto
What of the lunchpail musicians? The blue collar jazz players like pianist Bob Albanese, are craftsmen who work to complete the jazz cathedrals whose foundations were laid by the masters. Albanese acknowledges the jazz icons, yet his artistry is as imaginative as the names written on the cornerstones. Proof positive is Time Remembered with guest Eddie Gomez. This disc follows his One Way/Detour Zoho Music (2009) and also has the pianist and longtime collaborator Willard Dyson at the ...
Continue ReadingEddie Gomez: The Call of the Wild
by Robin Arends
How to survive in jazz music? One of the people who can answer this question is bassist Eddie Gomez. With his 11 year cooperation he was the longest serving sideman of pianist Bill Evans. After interviewing Evans-bassist Chuck Israels in Holland, I called Gomez a few weeks later in his hometown. Twice there was a connection to his voicemail saying: “Here is Eddie. Please leave your message when you hear the call of the wild" (subsequently a cry of a ...
Continue ReadingLive At Montmartre Series
by Chris Mosey
Recordings are now being made in Montmartre, the legendary Copenhagen jazz club, which--thanks largely to the efforts of pianist Niels Lan Doky--reopened in 2010. The original Montmartre started in 1959 as a venue for trad, which Scandinavians call “happy jazz." Stan Getz, who lived in the Danish capital from 1958-1961, introduced more modern sounds, followed by other expatriate Americans, including Ben Webster and Dexter Gordon. The club moved to larger premises and from 1976-1989 ...
Continue ReadingEddie Gomez: Per Sempre
by Dan McClenaghan
Taken as a cohesive statement--a one-hour piece of art in a world of downloads and diminishing attention spans--bassist Eddie Gomez's Per Sempre stands out, with the minor and enviable disadvantage of opening with the set's loveliest tune, “Arianna." Good news/good news: the rest of this superb outing is just a notch--a small one--below that level of excellence.Gomez surely learned something from his eleven-year tenure as pianist Bill Evans' bassist. Evans was a master at assembling excellent trios that ...
Continue ReadingEddie Gomez: Per Sempre
by Dan Bilawsky
Bassist Eddie Gomez has never received the attention he deserves as a leader. While that's largely due to the fact that he spends so much time making other people sound better, the reason isn't important; it's an injustice, regardless of the cause. His pliant and flexible bass has been the binding agent and rhythmic-melodic-harmonic go-between responsible for bolstering the work of pianists like Bill Evans, Chick Corea and Hank Jones, drummers like Jack DeJohnette and Steve Gadd, and countless others ...
Continue ReadingGabriel Vicens: Point in Time
by Jeff Dayton-Johnson
On Point In Time, his debut date as a leader, Puerto Rican guitarist Gabriel Vicéns heads a solid quintet of young players, considerably bolstered by a couple of A-list substitutions from the highest echelons of Puerto Rican jazz: tenor saxophonist David Sánchez on a pair of tracks, and bassist Eddie Gomez on about half the record.Vicéns' guitar is ringing and clear, relying on relatively low-tech reverb. His personality as an improviser is already sure and well-defined; he is ...
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