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Live Review
Merano Jazz 2017
by Giuseppe Segala
Merano Jazz 2017 Teatro Puccini Merano 10-13.07.2017 Da molti anni l'appuntamento di Merano Jazz è imperniato su tre concerti e cinque giornate intense di corsi dell'Accademia Mitteleuropea, diretti da Franco D'Andrea ed Ewald Kontschieder. In ogni edizione si invita un artista diverso per la masterclass principale, e dal 2002 sono passati nelle aule dell'Accademia musicisti del calibro di Roswell Rudd, Dave Douglas, Steven Bernstein, Tim Berne e Peter Erskine. Quest'anno era la volta di Eddie ...
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The Bill Evans Trio: On A Monday Evening
by Stefano Merighi
Ricordo interviste in cui Bill Evans puntualizzava l'ossessione per l'esercizio, un'insicurezza stabile, che lo faceva provare in continuazione anche il minimo dettaglio. Sembra grottesco, all'ascolto soltanto del prologo di Sugar Plum," dove la fraseologia evansiana sgorga come acqua di fonte e dove si intuirebbe un'innata facilità per l'assoluta padronanza strumentale. Ma evidentemente c'era un lavoro febbrile e anche un po' angosciato dietro quel tocco scultoreo, quei legami tentacolari tra linea melodica e spezzature ritmiche, quel preludiare o rapsodiare che fin ...
Continue ReadingThe Bill Evans Trio: On A Monday Evening
by Dan McClenaghan
Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village Vanguard (Riverside Records, 1961), a trio outing featuring bassist Scott LaFaro and drummer Paul Motian. The interactivity and equality of input of that particular ...
Continue ReadingBill Evans with Eddie Gomez and Jack DeJohnette: Some Other Time: The Lost Session From the Black Forest
by Karl Ackermann
It plays out like a tale of espionage. In Bremen, Germany, more than five-thousand miles from his Los Angeles home, American producer Zev Feldman, has a chance meeting with the son of a late German jazz producer. In a parking lot, the German plays a single track of music on his car stereo; a forgotten recording from tapes almost fifty years old. Feldman, upon hearing more of the tapes, decides he needs to get this out to the world. It ...
Continue ReadingBob Albanese: Time Remembered
by Dan Bilawsky
Memory is one persistent traveler. Whether we know it or not, memories always follow us on our journeys, influence our choice of direction, and work their way into our everyday encounters to some extent. Nobody is completely immune to the charms and ills carried in memories, but some are more susceptible than others. In fact, some readily choose to be susceptible, letting their memories take root in their work and allowing art to absorb and, subsequently, radiate experience. Such is ...
Continue ReadingBob Albanese: Time Remembered
by Mark Corroto
What of the lunchpail musicians? The blue collar jazz players like pianist Bob Albanese, are craftsmen who work to complete the jazz cathedrals whose foundations were laid by the masters. Albanese acknowledges the jazz icons, yet his artistry is as imaginative as the names written on the cornerstones. Proof positive is Time Remembered with guest Eddie Gomez. This disc follows his One Way/Detour Zoho Music (2009) and also has the pianist and longtime collaborator Willard Dyson at the ...
Continue ReadingEddie Gomez: The Call of the Wild
by Robin Arends
How to survive in jazz music? One of the people who can answer this question is bassist Eddie Gomez. With his 11 year cooperation he was the longest serving sideman of pianist Bill Evans. After interviewing Evans-bassist Chuck Israels in Holland, I called Gomez a few weeks later in his hometown. Twice there was a connection to his voicemail saying: Here is Eddie. Please leave your message when you hear the call of the wild" (subsequently a cry of a ...
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