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Jazz Articles about Duke Ellington

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Extended Analysis

The Duke Ellington Carnegie Hall Concerts: January 1943

Read "The Duke Ellington Carnegie Hall Concerts: January 1943" reviewed by Chuck Lenatti


Duke Ellington was one of the most popular and successful jazz musicians of the first half of the 20th century and according to composer Gunther Schuller and musicologist and historian Barry Kernfeld, “the most significant composer of the genre." Radio broadcasts from his residency at New York's Cotton Club beginning in 1927 extended Ellington's orchestra's national exposure and a parade of hit records, from “East St. Louis Toodle-Oo" in 1926 to “C Jam Blues" in 1942, among many ...

5
Album Review

Duke Ellington: Copenhagen 1958

Read "Copenhagen 1958" reviewed by Ken Dryden


Duke Ellington left a formidable discography at his death at the age of 75 in 1974, and it has expanded greatly with the number of concerts that have been uncovered and issued since then. This CD is drawn from two 1958 concerts at KB Hallen in Copenhagen, though they are not sourced from the original, long lost broadcast tapes, but dubs evidently made by a fan. What makes this a valuable find is that the band is in top form ...

5
Album Review

Duke Ellington: Copenhagen 1958

Read "Copenhagen 1958" reviewed by Jack Kenny


Duke Ellington hated flying so, in 1958, Ellington and Co sailed into Southampton UK to prepare for a tour of Europe. Before going on to Copenhagen, Ellington completed a tour of the UK, taking in Leeds where he met Queen Elizabeth, an event which eventually resulted in the “Queen's Suite." Earlier in the year, his strange obsession with royalty had produced a piece for Princess Margaret, “Princess Blue'" The band was particularly strong in this part of its ...

9
Play This!

Duke Ellington: Isfahan

Read "Duke Ellington: Isfahan" reviewed by Ian Patterson


Part of Duke Ellington's Far East Suite (1967), “Isfahan" took its inspiration from a visit to the city of Isfahan, Iran, in 1963. Of the ancient city Ellington wrote: “everything is poetry," a sentiment transferred beautifully to this most moving of Strayhorn/Ellington compositions. Curious too, to see Ellington holding the sheet music for soloist Johnny Hodges. The same tour also took the Duke Ellington Orchestra to Syria, Palestine, Iraq, Afghanistan and Lebanon, among other stops. Will such an itinerary ever ...

6
Top Ten List

Duke Ellington's Top Ten Albums

Read "Duke Ellington's Top Ten Albums" reviewed by DIG 9000


Duke Ellington, the legendary jazz composer, pianist, and bandleader, released numerous albums throughout his illustrious career. It's challenging to narrow down his extensive discography to just ten, but here are some essential Duke Ellington albums that showcase his incredible talent and contribution to jazz: Ellington at Newport Columbia Records 1956 This live album is one of Ellington's most famous and significant recordings, featuring the iconic performance of “Diminuendo and Crescendo in Blue" with an ...

3
Book Excerpts

Jazz Lines: Free Verse In The Key Of Jazz

Read "Jazz Lines: Free Verse In The Key Of Jazz" reviewed by Gloria Krolak


Duke Ellington, composer, arranger, pianist and originator of big-band jazz, wrote “Sweet Jazz O'Mine" in 1930 when the genre was blooming. As a bandleader, Ellington was unsurpassed. He chose his musicians wisely and inspired some of their best work. “Sweet Jazz" is a lively foxtrot celebrating this unorthodox new style that had people dancing and feeling good. What became my poem is a collection of songs about the instruments that make up the whole, the drums, the trombone, the clarinet, ...

8
Jazz in Long Form

From Chart to Reality: The Editorial Role of the Pianist in a Big Band

Read "From Chart to Reality: The Editorial Role of the Pianist in a Big Band" reviewed by Kurt Ellenberger


Note: This article was first published in the Jazz Education Journal in 2005, and was revised for All About Jazz. Preamble This article was written to address an issue that needed clarification, and indeed still needs clarification almost 20 years later, regarding the vagaries inherent in many of the published big band piano charts in use at hundreds of colleges and high schools. The professional jazz pianist will treat the written part with a great deal of freedom, ...


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