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About Drew Gress

14

Album Review

Fred Hersch: Breath By Breath

Read "Breath By Breath" reviewed by John Chacona

by John Chacona

Why is Fred Hersch not sufficiently mentioned among the great jazz pianists? It could be a generational thing. At 66, Hersch is an eminent tweener, too old to qualify as the Hot New Thing and too young to be an Elder Statesman. He's in good company there with fellow sexagenarians Myra Melford, Satoko Fujii, Uri Caine, Jean-Michel Pilc and Matthew Shipp. It's true that Hersch's contemporaries Geri Allen, Mulgrew Miller and Kenny Kirkland have entered the pantheon (and Frank Kimbrough ...

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5

Album Review

Fred Hersch: Breath By Breath

Read "Breath By Breath" reviewed by Pierre Giroux

by Pierre Giroux

The intellectual and musical curiosity that inspires the work of pianist Fred Hersch is broad and deep. Validation of this is in his current release Breath By Breath which is informed by his early piano education and listening to string quartets, supported more recently by his advocacy of meditation as a way manage external factors beyond one's control. In the liner notes, Hersch encourages listeners to take the time to attend the eight-movement “Sati Suite" in ...

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3

Album Review

Alexis Parsons: Alexis

Read "Alexis" reviewed by Richard J Salvucci

by Richard J Salvucci

Alexis Parsons is an honest-to-goodness jazz singer. She has considerable vocal chops, a wide range and great time. She usually comes in right on or slightly behind the beat. Except when she does not. Which makes for considerable contrast and interest. Her sense of drama is apropos ("Organ Grinder" may be the sole exception, but de gustibus) and you often have the sense you are listening to an instrumentalist rather than a singer. Or to put it differently, Ms Parsons ...

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22

Album Review

Alexis Parsons: Alexis

Read "Alexis" reviewed by Jack Bowers

by Jack Bowers

The self-named Alexis is the third album by New York-based vocalist Alexis Parsons. To showcase her talents, she has chosen a medley of standards (half a dozen) and lesser-known but engaging originals, opening and closing with the Cole Porter classics “Easy to Love" and “In the Still of the Night." Rodgers and Hart, the Gershwins, Kurt Weill, Astrud Gilberto and even Franz Schubert are also represented. For back-up, Parsons employs two trios—pianist David Berkman, bassist Drew Gress and drummer Matt ...

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9

Album Review

Tom Rainey Obbligato: Untucked In Hannover

Read "Untucked In Hannover" reviewed by Dan McClenaghan

by Dan McClenaghan

Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which runs parallel to that of Lee Konitz, especially the alto saxophonist's late career outings, including Live At the Blue Note (Half Note, 2012) and ...

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1

Album Review

Brian Landrus, Fred Hersch, Drew Gress, Billy Hart: For Now

Read "For Now" reviewed by Angelo Leonardi

by Angelo Leonardi

Due anni dopo il sontuoso progetto orchestrale pubblicato nell'album Generations (Blueland 2018) il compositore e multistrumentista allievo di Bob Brookmeyer, è tornato a incidere con un piccolo organico, aperto a suggestioni cameristiche (con l'aggiunta di un quartetto d'archi) o di taglio neo-bop (con il trombettista Michael Rodriguez). Quand'era adolescente Brian Landrus era una testa calda, il peggiore della scuola, sempre pronto a picchiarsi coi coetanei. Poi il jazz l'ha molto cambiato e risulta difficile crederlo oggi, di ...

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9

Album Review

Janis Mann & Kenny Werner: Dreams of Flying

Read "Dreams of Flying" reviewed by Dan Bilawsky

by Dan Bilawsky

Janis Mann has quietly but steadily amassed an impressive body of work over the course of more than two decades. For this, the vocalist's eighth album, she brings studio and stage into beautiful alignment with different, intimate configurations hinging on the constant presence of pianist Kenny Werner. The majority of this music was recorded in 2016 at New York's Samurai Hotel Recording Studio, with key collaborator Werner and, more often than not, the rhythm combo of bassist Drew Gress and ...

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