Jazz Articles about Don Braden

About Don Braden

Album Review

Peter Hand has a hand in almost everything on Blue Topaz, playing masterful guitar, writing seven of the album's ten engaging numbers and arranging all of them. He also spliced together a pair of blue-chip ensembles for his first small-group recording after three well-received big-band albums, and invited his longtime friend--and legendary tenor saxophonist--Houston Person to sit in on two tracks. Person had also guested on one of the guitarist's big-band recordings, Out of Hand (2014). Hand's ...

Interview

A Conversation with Don Braden

by AAJ Staff
August 1, 2023

This interview was first published in two parts at All About Jazz on May 1999. In this interview, we chat with Don Braden about his views on MP3 files, his relationship with Bill Cosby, the impact Kenny Kirkland had on his latest album for RCA Victor, Fire Within, and a host of other related and unrelated things. It's Braden, at home, from the heart, unedited, and in his own words. All About Jazz: Let's start from ...

Album Review

Don Braden: Earth Wind and Wonder, Vol. 2

Read "Earth Wind and Wonder, Vol. 2" reviewed by Jack Bowers

by Jack Bowers
June 20, 2023

As on the first recording of this two-volume series, acclaimed tenor saxophonist Don Braden pays tribute to a couple of his coming-of-age idols, singer-songwriter Stevie Wonder and the genre-defying group Earth, Wind and Fire. Braden has chosen four of Wonder's compositions and three associated with EW&F to accompany a pair of his splendid original themes. Braden plays tenor saxophone most of the way, flute and alto flute, respectively on Wonder's “Bird of Beauty" and “Creepin.'" Needless to ...

Album Review

Eric Goletz: Standard-ized!

Read "Standard-ized!" reviewed by Jack Bowers

by Jack Bowers
January 24, 2023

If variety is on your wish list, you will find a lot to like on Standard-ized!, New York-based trombonist Eric Goletz's third album in three years. Group size and makeup are seldom the same, Goletz's charts traverse new realms, there are special guests to enhance the proceedings, and Goletz even enlists a six-piece string “orchestra" on several numbers. The strings accompany one of the guests, vocalist LaJuan Carter, on the Nat King Cole chart-topper, “Nature Boy," and ...

Album Review

The Don Braden Organix Quartet: Luminosity

Read "Luminosity" reviewed by Dan Bilawsky

by Dan Bilawsky
July 29, 2015

Saxophonist Don Braden is all about positivity and sharing the joys of jazz. His ebullient music speaks to his intelligence yet he never falls prey to the jazz-as-intellectual-exercise trap that seems to snare younger musicians and a good amount of his peers. Over the course of his previous albums, Braden's managed to create accessible music built atop the pillars of wit, honesty, swing, and heart. He does it once more on this satisfying date. The aptly-titled Luminosity ...

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Album Review

Don Braden: Gentle Storm

Read "Gentle Storm" reviewed by Ken Dryden

by Ken Dryden
February 19, 2009

Don Braden has come a long way since his days at Harvard, where he studied engineering along with playing in the university's jazz band. Over two decades into his career in jazz at the time of these recording sessions, the tenor saxophonist is very much at the top of his game. Joined by pianist George Colligan, bassist Joris Teepe and drummer Cecil Brooks III, who have all worked together on a number of occasions, Braden assembles a terrific program.

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Interview

Don Braden: Harvard Hipster

by Jason Crane
January 22, 2007

Don Braden went to Harvard in 1981 to become a computer programmer and emerged as a new voice on the saxophone. For two decades he's been making a name for himself in the modern jazz world, and he's compiled an impressive resume, working with established masters like [trumpeter] Freddie Hubbard, [vocalist] Betty Carter, [drummers] Roy Haynes and Tony Williams; then-emerging-talents like [trumpeter] Wynton Marsalis and the Harper Brothers; and as a leader and composer in his own right.Braden's ...