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Jazz Articles about David Virelles

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Album Review

Henry Threadgill Ensemble: The Other One

Read "The Other One" reviewed by Troy Dostert


Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...

1
Radio & Podcasts

David Virelles, Flora Carbo, Transatlantic Five & Anthropology Band

Read "David Virelles, Flora Carbo, Transatlantic Five & Anthropology Band" reviewed by Maurice Hogue


Highlights of a very packed show: pianist David Virelles and trio (Ben Street bass & Eric McPherson drums); Australian saxophonist Flora Carbo; England's Anthropology Band; pianist Russ Lossing with NYC's King Vulture; the powerful German-American quintet, Transatlantic Five (Ken Vandermark sax, Nate Wooley trumpet, Christopher Dell vibes, Christian Ramond bass & Klaus Kugel drums), and a whole lot more, plus a peek at the catalogue of European free jazz drumming icon, Sven Åke Johannson.. Roll tape!!! Playlist Sam ...

7
Liner Notes

David Binney: Barefooted Town

Read "David Binney: Barefooted Town" reviewed by Josef Woodard


Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heard—playing up his suits as composer and soloist by meshing his free-wheeling quartet and the score-heeding Imani Winds. And then, in another corner, as part of the late night haunt of ...

2
Radio & Podcasts

David Virelles, Amanda Whiting, Marco Mezquida, Mamud Band & More

Read "David Virelles, Amanda Whiting, Marco Mezquida, Mamud Band & More" reviewed by Ludovico Granvassu


It's just early July and there's no denying that we're already feeling the effects of climate change, with unusually high temperatures and extreme events like floods or severe thuderstorms. When it comes to music, however the downpour of new releases is a very welcome development... especially when they sound so delicious!Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Mamud Band “Equalization" Equalization—Single (Garrincha) 0:16 Host talks 6:18 Amanda Whiting “Lost" ...

2
Radio & Podcasts

David Virelles, Kirk Knuffke, Nicolas Chientraroli & Nduduzo Makhathini

Read "David Virelles, Kirk Knuffke, Nicolas Chientraroli & Nduduzo Makhathini" reviewed by Maurice Hogue


Excellent new keyboard releases highlight this edition of OMJ, ranging from musical neo-archaeologist David Virelles, George Burton, Argentina's Nicolás Chientaroli, South African Nduduzo Makhathini to the Italian trio Katharsis. Debuts from a couple of drummers are also featured--Anthony Fung and Swizerland's Florian Arbenz. Cornetist Kirk Knuffke's new Gravity Without Airs should be headed for much praise. There's plenty of great music packed into this show, from start to finish. Playlist Anthony Fung “Sightseeing" from What Does It Mean ...

10
Album Review

David Virelles: Nuna

Read "Nuna" reviewed by Karl Ackermann


Cuban-born pianist/composer David Virelles has never been far from the top of the jazz profession in his recording career. His initial appearance as a sideman was with Juno Award winner Jane Bunnett on her 2001 Blue Note release Alma de Santiago. Early in his career he studied with Henry Threadgill and played with Steve Coleman, Chris Potter and Mark Turner. As a leader, he has primarily moved back and forth between the prestigious labels Pi Recordings and ECM for the ...

8
Album Review

Andrew Cyrille: The News

Read "The News" reviewed by Ian Patterson


There is no denying the significance of Andrew Cyrille's oft-cited association with Cecil Taylor, not to mention his collaborations with other avant-garde luminaries such as Walt Dickerson, Ahmed Abdul Malik and Marion Brown. However, such reductive narratives tend to overlook Cyrille's own, fairly extensive output as a leader, beginning with What About? (BYG Actuel, 1971). Whilst there have sometimes been long gaps between his records, the Brooklyn-born drummer has struck a rich vein of form in his autumnal years on ...


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