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Jazz Articles about David Sancious
David Sancious: Eyes Wide Open
by Glenn Astarita
After leaving Bruce Springsteen's E Street Band in 1974, keyboardist and guitarist David Sancious formed the band Tone, which was centered on jazz fusion, progressive rock, and melodic overtures. At the time, he became a highly respected artist, especially due to his drawling synth tones, fiery guitar work and penetrating rhythmic outbreaks. Moving forward, he performed with Jack Bruce and Friends, Peter Gabriel, Sting, and other notables, securing his A-list session guru status. Here, the artist sings and performs instrumentals, ...
Continue ReadingDavid Sancious: From Monk to Sting
by Luca Muchetti
David Sancious is one of the most sought-after and sophisticated sidemen in the world of popular music. He has collaborated with the likes of Sting and Peter Gabriel and has been a member of the original E-Street Band led by Bruce Springsteen, not to mention countless gigs with superstars such as Aretha Franklin, Eric Clapton and Santana. His love for jazz has never abandoned him--"It involves the ability to play in an ensemble, and at the same time ...
Continue ReadingDavid Sancious: da Monk a Sting
by Luca Muchetti
Al fianco di Sting e Peter Gabriel, membro del primo nucleo della futura E--Street Band con Bruce Springsteen, senza contare la miriade di collaborazioni accanto a giganti come Aretha Franklin, Eric Clapton e Santana. David Sancious è uno dei sideman più apprezzati e raffinati, un polistrumentista che --fra un disco e un tour mondiale --ha trovato il tempo di pubblicare album lungo una carriera solista che (prossimamente) vedrà venire alla luce due nuovi capitoli discografici. Uno dietro alle tastiere, l'altro ...
Continue ReadingStanley Clarke: The Complete 1970s Epic Albums Collection
by John Kelman
Legacy Recordings' recent spate of Complete Albums Collection box sets have righted a whole slew of wrongs by bringing long out-of-print recordings back in a reasonably priced and tidily collected series. They may be relatively light on production values--simple clamshell-style boxes, mini-LP cardboard sleeves, and booklets whose information, beyond detailed track and personnel listings, is largely dependent upon how much the artist has to say, if anything at all--but the opportunity to collect an entire discography from a specific period ...
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