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David Hazeltine: Blues Quarters, Vol.2
by C. Andrew Hovan
A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest incarnation is even better, imbued with a maturation and musical camaraderie that has further developed due to countless numbers of gigs undertaken in the ...
read moreDavid Hazeltine: Close to You
by C. Andrew Hovan
New York's a tough town. To be seen and heard among the scores of would-be jazz musicians you have to possess talent that is beyond the everyday and a voice that sets you apart from the crowd. Since settling permanently in the Big Apple in 1992, David Hazeltine has done just that. He's consistently in demand as a sideman, works regularly with the hard bop sextet One For All, and leads his own ensembles to boot. Over the years, he's ...
read moreMike DiRubbo: Human Spirit
by C. Andrew Hovan
In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto horn as his main axe, although his sound and approach seems heavily rooted in the conventions of the tenor and its many historic practitioners. ...
read moreSteve Davis: Systems Blue
by C. Andrew Hovan
From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that we call mainstream jazz, the instrument has remained a highly expressive vehicle for communication within the idiom. It's somewhat surprising then that a fairly ...
read moreLouis Hayes: Crisis
by Jack Bowers
Louis Hayes--who has been a force in jazz drumming for more than sixty years, anchoring legendary groups led by Horace Silver, Cannonball Adderley, Oscar Peterson, John Coltrane and Sonny Rollins, among others--has assembled a quintet of New York City's finest for Crisis, wherein he pays musical tribute to some of his jazz colleagues, past and present, including Freddie Hubbard, Joe Farrell, Lee Morgan, Bobby Hutcherson and two members of his working unit, vibraphonist Steve Nelson and bassist Dezron Douglas.
read moreCory Weeds Quartet: Day By Day
by Jack Bowers
At a time when classic jazz seems fractured and flying off in a hundred or more separate directions, it is comforting to encounter sessions like this one, a superlative quartet date led by alto saxophonist and Renaissance man Cory Weeds, and featuring David Hazeltine, one of the more proficient and enterprising pianists on the scene. Day by Day, their second recording together, awakens memories of a bygone era when giants ruled the jazz landscape, trail-blazers whose music remains as fresh ...
read moreCory Weeds: Day By Day
by Pierre Giroux
As we struggle though this period of self-isolation caused by the 2020 global health pandemic, along comes Cory Weeds with a charming new quartet release anchored by pianist David Hazeltine and called quite fittingly Day By Day. Little did the participants realize when the recording was undertaken in August 2019, that most people would be living day by day, looking forward to having a world-wide nightmare come to an end. In this ten track set, most of the ...
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