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Jazz Articles about David Hazeltine
Todd Herbert: Captain Hubs
by Jack Bowers
After listening closely to Captain Hubs, Illinois-bred, New York-based tenor saxophonist Todd Herbert's fourth album as leader of his own groups, one question immediately springs to mind: why is this man not scoring high in any polls? Herbert is quite clearly the equal of those who are. Winning polls, that is. Technically, he is a monster; creatively, about as adroit and ingenious as they come. But on the traditional year-end critics and readers' lists, Herbert's name is nowhere to be ...
Continue ReadingEric Alexander: Like Sugar
by Pierre Giroux
Tenor saxophonist Eric Alexander delivers a soulful modern tribute to Stanley Turrentine with his album Like Sugar. Recorded at the renowned Van Gelder Studios in Englewood Cliffs, NJ, with longtime collaborators David Hazeltine on piano, Dennis Carroll on bass, and George Fludas on drums, the album reinterprets Turrentine's spirit rather than simply copying it, resulting in a deeply swinging and cohesive set that blends tradition with contemporary artistry. Alexander begins this session with one of his ...
Continue ReadingGeorge Coleman: With Strings
by Jack Bowers
Sooner or later (usually later), a jazz saxophonist (or other instrumentalist) will entertain a desire to leave his or her normal comfort zone and record an album with “class." In other words, cue the string section and get ready to score some ballads. Tenor virtuoso George Coleman, who likely needs no introduction to even the more casual jazz fan, is the latest to take the With Strings plunge, diving headlong into a number of sumptuous, string-laden arrangements by Bill Dobbins. ...
Continue ReadingGeorge Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his artistry. As he explained in an interview with Rob Shepherd (2024): “I try not to be close-minded but instead try to expand my interest ...
Continue ReadingGeorge Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live at the Antibes Jazz Festival (1964); My Funny Valentine: In Concert (1965); and “Four and More:" In Concert (1966), all on Columbia Records. Add ...
Continue ReadingSam Dillon: My Ideal
by Jack Bowers
Any impartial assessment of My Ideal, Sam Dillon's second album for Cellar Music (following 2018's Out in the Open), should leave no doubt that the New York-born and based tenor saxophonist has definitely hit his stride, punctuating an already strong and persuasive voice on the horn with ample self-confidence and and a bounteous wellspring of innovative concepts and ingenious phrases. In other words, Dillon is the whole package, swinging in the same league as such heralded contemporaries ...
Continue ReadingJames Moody: 80 Years Young: Live at the Blue Note, March 26, 2005
by Jack Bowers
When it comes to having fun, few events can compete with a birthday party. Fun is clearly at the summit of the agenda on 80 Years Young: Live at the Blue Note, recorded at the famed New York City nightspot on March 26, 2005, to celebrate saxophonist James Moody's eightieth birthday, and released on the same date in 2025 to honor the centenary of his birth. Moody, who with trumpeter Dizzy Gillespie comprised one of the most humorous and fun-loving ...
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